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Although, as the title of these bold studies from 1987 implies, they are all fast, they are not in the first place studies in pianistic virtuosity, so much as studies in various ways of composing fast...
Although, as the title of these bold studies from 1987 implies, they are all fast, they are not in the first place studies in pianistic virtuosity, so much as studies in various ways of composing fast...
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Composed in the mid-70s, these Five Studies for piano offer a fascinating insight into the early musical interests of Colin Matthews – the fifth, in particular, showing the influence of American minim...
Composed in the mid-70s, these Five Studies for piano offer a fascinating insight into the early musical interests of Colin Matthews – the fifth, in particular, showing the influence of American minim...
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In these three characterful and testing piano studies, composed in the autumn of 1985, Nicholas Maw sought to bypass many of the characteristics of post-war piano writing and take up where the ‘old’ p...
In these three characterful and testing piano studies, composed in the autumn of 1985, Nicholas Maw sought to bypass many of the characteristics of post-war piano writing and take up where the ‘old’ p...
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In these three characterful and testing piano studies, composed in the autumn of 1985, Nicholas Maw sought to bypass many of the characteristics of post-war piano writing and take up where the ‘old’ p...
In these three characterful and testing piano studies, composed in the autumn of 1985, Nicholas Maw sought to bypass many of the characteristics of post-war piano writing and take up where the ‘old’ p...
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In these three characterful and testing piano studies, composed in the autumn of 1985, Nicholas Maw sought to bypass many of the characteristics of post-war piano writing and take up where the ‘old’ p...
In these three characterful and testing piano studies, composed in the autumn of 1985, Nicholas Maw sought to bypass many of the characteristics of post-war piano writing and take up where the ‘old’ p...
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In this solo piano piece from 2000, Peter Sculthorpe recalled his childhood in Tasmania, and the travelling fairs that would set up each year opposite his family shop. For a penny, he would select a s...
In this solo piano piece from 2000, Peter Sculthorpe recalled his childhood in Tasmania, and the travelling fairs that would set up each year opposite his family shop. For a penny, he would select a s...
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This 2-minute work, one of a number of piano miniatures by Peter Sculthorpe, recalls a period from 1957 when the composer first moved to Sydney to write popular music for theatre. One of his collabora...
This 2-minute work, one of a number of piano miniatures by Peter Sculthorpe, recalls a period from 1957 when the composer first moved to Sydney to write popular music for theatre. One of his collabora...
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The Rose Bay Quadrilles were originally written by William Stanley in 1885 to mark the occasion of the laying of the foundation stone of Woollahra House in Sydney. Sculthorpe, who lived most of his pr...
The Rose Bay Quadrilles were originally written by William Stanley in 1885 to mark the occasion of the laying of the foundation stone of Woollahra House in Sydney. Sculthorpe, who lived most of his pr...
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Matthew Hindson composed this riotous 6-minute work for piano with optional electronic bass drum in 1994. A virtuoso tour-de-force of seismic energy. ‘The brave new world of pianism was invaded with a...
Matthew Hindson composed this riotous 6-minute work for piano with optional electronic bass drum in 1994. A virtuoso tour-de-force of seismic energy. ‘The brave new world of pianism was invaded with a...
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Influenced by the ecstatic pure melody of the Japanese Shakuhachi and the soft, infinitely subtle tones of Javanese Gamelan, Anne Boyd’s Angklung is music of radical simplicity: it employs only four n...
Influenced by the ecstatic pure melody of the Japanese Shakuhachi and the soft, infinitely subtle tones of Javanese Gamelan, Anne Boyd’s Angklung is music of radical simplicity: it employs only four n...
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You Didn't Have To Tell Me (I Knew It All The Time), written by Walter Donaldson, arranged for voice and piano with guitar chords.
You Didn't Have To Tell Me (I Knew It All The Time), written by Walter Donaldson, arranged for voice and piano with guitar chords.
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You're All That I'm Living For, written by Walter Donaldson, arranged for voice and piano with guitar chords.
You're All That I'm Living For, written by Walter Donaldson, arranged for voice and piano with guitar chords.
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You're Driving Me Crazy (What Did I Do), written by Walter Donaldson, arranged for voice and piano with guitar chords.
You're Driving Me Crazy (What Did I Do), written by Walter Donaldson, arranged for voice and piano with guitar chords.
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Mass (Re-Imagined), by Phoria. Arranged for piano solo in digital sheet music format.
Mass (Re-Imagined), by Phoria. Arranged for piano solo in digital sheet music format.
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Hearts And Flowers, composed by Theodore Tobani, arranged for piano solo.
Hearts And Flowers, composed by Theodore Tobani, arranged for piano solo.
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And The Great Big Saw Came Nearer And Nearer, written by Harris Weston and Bert Lee, arranged for voice and piano with guitar chords.
And The Great Big Saw Came Nearer And Nearer, written by Harris Weston and Bert Lee, arranged for voice and piano with guitar chords.
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Indian Summer, written by Victor Herbert with words by Al Dubin, arranged for voice and easy piano with guitar chords.
Indian Summer, written by Victor Herbert with words by Al Dubin, arranged for voice and easy piano with guitar chords.
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Relax, as performed by Frankie Goes To Hollywood, arranged for voice and piano with guitar chords.
Relax, as performed by Frankie Goes To Hollywood, arranged for voice and piano with guitar chords.
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Cold Wind In August, written and performed by Van Morrison, arranged for voice and piano with guitar chords.
Cold Wind In August, written and performed by Van Morrison, arranged for voice and piano with guitar chords.
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It's Not Unusual, written by Les Reed and Gordon Mills, as performed by Tom Jones, arranged for voice and piano with guitar chords.
It's Not Unusual, written by Les Reed and Gordon Mills, as performed by Tom Jones, arranged for voice and piano with guitar chords.
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Joyous Sound, written and performed by Van Morrison, arranged for voice and piano with guitar chords.
Joyous Sound, written and performed by Van Morrison, arranged for voice and piano with guitar chords.
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Wavelength, written and performed by Van Morrison, arranged for voice and piano with guitar chords.
Wavelength, written and performed by Van Morrison, arranged for voice and piano with guitar chords.
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When Your Lover Has Gone, written by Einar Aaron Swan, as performed by Frank Sinatra, arranged for voice and piano with guitar chords.
When Your Lover Has Gone, written by Einar Aaron Swan, as performed by Frank Sinatra, arranged for voice and piano with guitar chords.
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East Of The Sun, composed by Brooks Bowman, piano interpretation by George Shearing arranged for piano solo.
East Of The Sun, composed by Brooks Bowman, piano interpretation by George Shearing arranged for piano solo.
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Nola, composed by Felix Arndt, piano interpretation by George Shearing arranged for piano solo.
Nola, composed by Felix Arndt, piano interpretation by George Shearing arranged for piano solo.
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