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Sotto Voce consists of an intriguing interplay of isolated notes for the three instruments, with a good deal of pizzicato in the strings.

Garland demonstrates the composer's typically thoughtful approach to form and melodic material, the title of this work reflecting the circularity of both.

These three pieces serve as companion pieces to Reminiscence (2001) and Beguine (2002). Flight of Fancy takes its cue from Beguine; A Piece of the Action has the pace and character of a relaxed march;...

This is based on the opening bars of the Sarabande from Bach's second cello suite in D minor. 'Par la bande' means 'in a roundabout way' and suggests a circularity of form and a less than direct appro...

The opening movement of this five-movement work features the oboe, being a setting of a solo piece written by the composer in memory of Barbara Hepworth. The second is a lyrical canon for oboe, clarin...

Random Girl is a short, lyrical piece highlighting the melodic aspect of the vibraphone which engages in sinuous dialogue with the oboe.

The words are by Kamala Das who was born in Malabar in 1934 and is one of India's most distinguished poets. The setting evokes the suppleness and richness of Indian music.

From the collection For Him all Stars, 'Into this world, this day did come' is a meditative carol by Howard Skempton, scored for SSA unaccompanied. Featuring a frequently-changing time signature and l...

I am the song is an imaginatively-conceived showpiece setting a fine and thought-provoking poem by Charles Causley.

A chromatic but bare setting of a poem by Mary Elizabeth Coleridge, a descendant of Samuel Taylor Coleridge. Its sparse texture reflects the eerie, haunting atmosphere created by the evocative imagery...

This quiet and spacious miniature challenges the performer's ability to play within the lowest dynamic range of the piano. The gently sonorous opening bars return after a lightly animated central sect...

Extending his repertoire for the guitar, Skempton this time introduces it into the realm of a chamber ensemble in the form of five miniatures. The mix of mellow timbres creates a soothing but thoughtf...

Set to text by John Drinkwater, this work is deceptively simple, making use of repetition and carefully placed harmonies which shift subtly to match the text. A beautiful and unusual setting which wou...

Commissioned by the Atopos Fondazione in Italy, this piece was premiered by John Tilbury on 10 June 2008. A homage to Morton Feldman and a companion piece to his Triadic Memories, Skempton's Notti ste...

This short meditative work for piano is composed in Skempton's typical minimalist style. The piece has been recorded by its dedicatee, William Howard, and is included on an album entitled Sixteen Noct...

Suitable for remembrance services, Ramsey's six-voiced setting of 'How are the mighty fall'n' is one of the finest sacred madrigals of the early 17th century, alongside works such as settings of 'When...

This important contemporary Requiem demonstrates Gabriel Jackson's gift for writing mesmerising choral music on a large scale. Combining sections of the traditional Requiem text with selected poems fr...

Spirited in tone, this anthem sets a text based on Psalm 148 that praises God's glory. Opening with an uplifting unison melody, the vocal parts gradually open out into jubilant harmonies, which are su...

The Unexpected Early Hour brims with energy as the vibrant melody passes between voices and the rocking crotchet-quaver movement drives the piece towards its climactic ending. Offprinted from Carols f...

This setting of the Vesper Responsory exudes a confident radiance and sure belief that the 'Lord he shall be with you'. First published in Advent for Choirs, this setting is both approachable and grip...