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In Second Still Life the play on the word second is very apt. Not only is it scored for just two instruments (although there is also an optional tam-tam part) but the interval of a second is explored...

This setting of a traditional Gaelic prayer is poignant and heartfelt, with sustained lines and a full, rich choral sound. Gentle shifts in harmony between various combinations of voices and the use o...

Slow Down has a relaxed swing feel, with imaginative lyrics by the composer that encourage us to take time out of our busy lives. The vocal lines explore a swung quaver style, along with scat syllable...

Slow Down has a relaxed swing feel, with imaginative lyrics by the composer that encourage us to take time out of our busy lives. The baritones have fun with a scat bassline while the upper parts enjo...

Slow Down has a relaxed swing feel, with imaginative lyrics by the composer that encourage us to take time out of our busy lives. The vocal lines explore a swung quaver style, along with scat syllable...

Orchestral material is available on hire

Uses: Advent, Hanukkah, Ecumenical, Concert A truly memorable melody expresses the warmth and hope of the season of lights in this lovely new choral song. Written with inclusive sensitivity, this orig...

This setting of the well-known All Saints Day text juxtaposes flowing melodic lines in the sopranos with rich homophonic passages, each bringing the text to the fore. The organ plays a prominent role,...

This delightful work brings together arrangements of four folksongs: 'Green Bushes', 'The Rambling Sailor', 'The Crystal Spring', and 'O, No John!'. A Fancy of Folksongs can be accompanied by piano or...

In this lively 6/8 setting, Assersohn explores a macaronic 15th-century text ('A Patre Unigenitus/Through a maiden is come'), with its exclamations of 'Eya!' reinforcing festive celebration. Featuring...

This beautiful setting of a medieval English text is simple yet effective, written in Assersohn's clear and approachable style. With tender 'lullay, lullow's, lilting phrases, and gentle modal inflect...