Download-Noten von John Clayton

Originally recorded by Peggy Lee in 1960, this upbeat swinger exudes a great message and positive energy. Perfect for a singer to add their own personality and connect with the audience. John Clayton'...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's senstive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangement...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's senstive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangement...

Recorded by Barbara Morrison with the Clayton-Hamilton Jazz Orchestra for The L. A. Treasures Project, this powerhouse arrangement is a study in contrasts. The sparse and quiet opening gradually build...

Recorded by Barbara Morrison with the Clayton-Hamilton Jazz Orchestra for The L. A. Treasures Project, this powerhouse arrangement is a study in contrasts. The sparse and quiet opening gradually build...

Written for the Ellington orchestra by saxophonist Johnny Hodges, this catchy riff-based tune swings hard from beginning to end. After the hard-hitting opening, solos are exchanged by tenor, trombone,...

Adapted from the arrangement that John Clayton did for Dianne Reeves and the WDR radio big band in Cologne, Germany, here is a moderately slow and sulty swing version of the Duke Ellington favorite. A...

Written for the Ellington orchestra by saxophonist Johnny Hodges, this catchy riff-based tune swings hard from beginning to end. After the hard-hitting opening, solos are exchanged by tenor, trombone,...

Adapted from the arrangement that John Clayton did for Dianne Reeves and the WDR radio big band in Cologne, Germany, here is a moderately slow and sulty swing version of the Duke Ellington favorite. A...

Originally recorded by Peggy Lee in 1960, this upbeat swinger exudes a great message and positive energy. Perfect for a singer to add their own personality and connect with the audience. John Clayton'...

Feature the vibes (or piano) with this creatively arranged standard that was written specifically for vibes legend Milt Jackson (heard on this excerpt). The melody is bookended by plaintive statements...

Feature the vibes (or piano) with this creatively arranged standard that was written specifically for vibes legend Milt Jackson (heard on this excerpt). The melody is bookended by plaintive statements...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's senstive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangement...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's senstive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangement...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's senstive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangement...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's senstive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangement...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's senstive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangement...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's senstive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangement...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's senstive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangement...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's senstive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangement...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's senstive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangement...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's senstive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangement...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's senstive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangement...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's senstive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangement...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's senstive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangement...