Download-Noten von Mark Keane

The compositional style of this motet demonstrates word-painting and madrigal-like features. It opens with a duet that may reflect the word 'Duo' in the title, and the use of three voices at the start...

This lyrical setting of a text by Colin Coppen has an elegant melody and flowing piano accompaniment. It would make a charming addition to any concert or service, and is also available in a version fo...

The Shipping Forecast is in 3 movements: 'Donegal', 'They that go down to the sea in ships', and 'Naming'. The first and last movement are settings of poems by the poet, broadcaster, and academic, Seá...

This three-part hymn of thanksgiving is predominantly homophonic and more reminiscent of Lassus's madrigal style. The use of short note values and syncopation brings life and energy to the piece befor...

In this motet, long melismatic lines on one syllable navigate to a cadence. Taverner's choice of an upper-voice scoring may come from a tradition of five boys singing the responsory at Matins for All...

John Rutter's much-loved setting of the Aaronic Blessing (Numbers 6: 24). Compatible with SATB and SAB versions.

A baby so small, a message so great is an expressive Christmas song setting a text by the composer. Contrasting gentle melodies and sparse piano writing with richly dramatic chords, it creates a real...

God of creation sets an English translation of a Latin hymn attributed to St Ambrose. Smith employs a mixture of homophony and independent part-writing, along with a range of dynamic effects, to creat...

O fear the Lord sets two verses from Psalm 34. A controlled organum-style opening gives way to a more fervent, harmonic middle section. An approachable and beautiful piece.

This a cappella anthem, suitable as an introit or call to worship, was inspired by Celtic folksong and is available here in German translation.

Setting inspiring words by James Weldon Johnson, My heart be brave is an ideal choice for choirs looking to address issues of social justice in their programming. Also available in mixed- and lower-vo...

This is a substantial setting of the canticles of Mary and Simeon, suitable for both concert and liturgical settings The choral writing features fugal counterpoint and a chromatic soundworld rooted ar...

The polyphonic writing in this joyous motet for Eastertide includes both rhythmic and melismatic passages to reflect the celebratory text. The piece concludes with a brief section in triple metre, and...

Snow Angel is an evocative five-movement work exploring themes of love, rebirth, and beauty. It may be performed with narration and features a haunting cello line. The emotive and pictorial musical la...

Three songs make up this cycle entitled Western Songs - 'Buffalo Gals', 'Green Grow the Lilacs', and 'Ol' Chisholm Trail'. The arrangements by turn spin contrapuntal and antiphonal textures then relax...

Truly uplifting and appropriately joyful, this carol is ideal for a Christmas service or concert. Instrumental material is available on hire.

In Grown about by fragrant bushes, Skempton sets a poem by Robert Louis Stevenson using gentle, lilting melodies. The theme of loss is sensitively conveyed in a tonal language that is made more expres...

The strong homophonic opening of this motet, in honour of St Michael the Archangel, the defender in battle against all things evil, makes an impactful statement, before exploring the intricate weaving...

The text of this motet is taken from the Palm Sunday antiphon, which celebrates the entry of Jesus into Jerusalem. The repeated 'hosanna' phrases at the end of the motet bear witness to Palestrina's m...

Ante luciferum genitus is the first antiphon of Lauds for the Feast of the Epiphany and culminates with cascading, descending 'alleluia's. Originally scored for lower voices, the motet is presented he...

Likely to date from the early part of the composer's career, this motet has a relentlessly dense texture, but the clever use of well-shaped phrases and dynamics, informed by the text, leads to an exci...

Victoria captures the sorrow of the Passion by sustained homophonic writing from the start and subtle points of imitation. The use of a descending melodic line depicting the sorrow of the text is one...

The darkness evoked in this piece mirrors not only the title word 'Tenebrae', but also the intense grief of the crucifixion, as Jesus gives up his spirit.