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First introduced in 1928, this familiar song has gone on to become one of the most recorded standards of all time, including recently by Tony Bennett with Lady Gaga. This swingin' version for vocal so...

From Wayne Shorter's influential 1964 album Speak No Evil, this jazz standard is transformed here for young bands by Mark Taylor. The relaxed swing feel and harmonies of the original are all retained,...

From Wayne Shorter's influential 1964 album Speak No Evil, this jazz standard is transformed here for young bands by Mark Taylor. The relaxed swing feel and harmonies of the original are all retained,...

From Wayne Shorter's influential 1964 album Speak No Evil, this jazz standard is transformed here for young bands by Mark Taylor. The relaxed swing feel and harmonies of the original are all retained,...

From Wayne Shorter's influential 1964 album Speak No Evil, this jazz standard is transformed here for young bands by Mark Taylor. The relaxed swing feel and harmonies of the original are all retained,...

From Wayne Shorter's influential 1964 album Speak No Evil, this jazz standard is transformed here for young bands by Mark Taylor. The relaxed swing feel and harmonies of the original are all retained,...

From Wayne Shorter's influential 1964 album Speak No Evil, this jazz standard is transformed here for young bands by Mark Taylor. The relaxed swing feel and harmonies of the original are all retained,...

From Wayne Shorter's influential 1964 album Speak No Evil, this jazz standard is transformed here for young bands by Mark Taylor. The relaxed swing feel and harmonies of the original are all retained,...

From Wayne Shorter's influential 1964 album Speak No Evil, this jazz standard is transformed here for young bands by Mark Taylor. The relaxed swing feel and harmonies of the original are all retained,...

From Wayne Shorter's influential 1964 album Speak No Evil, this jazz standard is transformed here for young bands by Mark Taylor. The relaxed swing feel and harmonies of the original are all retained,...

From Wayne Shorter's influential 1964 album Speak No Evil, this jazz standard is transformed here for young bands by Mark Taylor. The relaxed swing feel and harmonies of the original are all retained,...

From Wayne Shorter's influential 1964 album Speak No Evil, this jazz standard is transformed here for young bands by Mark Taylor. The relaxed swing feel and harmonies of the original are all retained,...

From Wayne Shorter's influential 1964 album Speak No Evil, this jazz standard is transformed here for young bands by Mark Taylor. The relaxed swing feel and harmonies of the original are all retained,...

From Wayne Shorter's influential 1964 album Speak No Evil, this jazz standard is transformed here for young bands by Mark Taylor. The relaxed swing feel and harmonies of the original are all retained,...

From Wayne Shorter's influential 1964 album Speak No Evil, this jazz standard is transformed here for young bands by Mark Taylor. The relaxed swing feel and harmonies of the original are all retained,...

From Wayne Shorter's influential 1964 album Speak No Evil, this jazz standard is transformed here for young bands by Mark Taylor. The relaxed swing feel and harmonies of the original are all retained,...

From Wayne Shorter's influential 1964 album Speak No Evil, this jazz standard is transformed here for young bands by Mark Taylor. The relaxed swing feel and harmonies of the original are all retained,...

From Wayne Shorter's influential 1964 album Speak No Evil, this jazz standard is transformed here for young bands by Mark Taylor. The relaxed swing feel and harmonies of the original are all retained,...

From Wayne Shorter's influential 1964 album Speak No Evil, this jazz standard is transformed here for young bands by Mark Taylor. The relaxed swing feel and harmonies of the original are all retained,...

Mark Taylors origineller Titel mit unverwechselbaren Upbeat-Groove im 7/4-Takt enthält eine fabelhaftes Feature für Trompete und Tenorsaxophon. Die Zwischenspiele des vollen Ensembles verleihen dem kr...

Mark Taylors origineller Titel mit unverwechselbaren Upbeat-Groove im 7/4-Takt enthält eine fabelhaftes Feature für Trompete und Tenorsaxophon. Die Zwischenspiele des vollen Ensembles verleihen dem kr...

Mark Taylors origineller Titel mit unverwechselbaren Upbeat-Groove im 7/4-Takt enthält eine fabelhaftes Feature für Trompete und Tenorsaxophon. Die Zwischenspiele des vollen Ensembles verleihen dem kr...

Mark Taylors origineller Titel mit unverwechselbaren Upbeat-Groove im 7/4-Takt enthält eine fabelhaftes Feature für Trompete und Tenorsaxophon. Die Zwischenspiele des vollen Ensembles verleihen dem kr...

Mark Taylors origineller Titel mit unverwechselbaren Upbeat-Groove im 7/4-Takt enthält eine fabelhaftes Feature für Trompete und Tenorsaxophon. Die Zwischenspiele des vollen Ensembles verleihen dem kr...

Mark Taylors origineller Titel mit unverwechselbaren Upbeat-Groove im 7/4-Takt enthält eine fabelhaftes Feature für Trompete und Tenorsaxophon. Die Zwischenspiele des vollen Ensembles verleihen dem kr...