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This is an arrangement of the 19th-century hymn by Philip Bliss, with words by Horatio Spafford following several personal tragedies. Wilberg keeps the first two verses in unison, before allowing full...
This is an arrangement of the 19th-century hymn by Philip Bliss, with words by Horatio Spafford following several personal tragedies. Wilberg keeps the first two verses in unison, before allowing full...
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Male voices take the leading role in this mixed-voice arrangement of the tender and well-loved solo piece attributed to Caccini (and usually sung to 'Ave Maria').
Male voices take the leading role in this mixed-voice arrangement of the tender and well-loved solo piece attributed to Caccini (and usually sung to 'Ave Maria').
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- Mack Wilberg
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This heartfelt setting is built upon a haunting melody of folk-like simplicity, underpinned throughout by a lyrical and independent accompaniment. An orchestral accompaniment is available on hire.
This heartfelt setting is built upon a haunting melody of folk-like simplicity, underpinned throughout by a lyrical and independent accompaniment. An orchestral accompaniment is available on hire.
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Rutter's arrangement of the hymn O God, Our Help in Ages Past uses the hymn tune St. Anne to great effect. The verses alternate between choir alone and choir with congregation, building to an upliftin...
Rutter's arrangement of the hymn O God, Our Help in Ages Past uses the hymn tune St. Anne to great effect. The verses alternate between choir alone and choir with congregation, building to an upliftin...
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The King of Love My Shepherd Is sets Psalm 23 to an arrangement of the Irish traditional melody St. Columba. Rutter keeps the first three verses largely in unison, alternating between male and female...
The King of Love My Shepherd Is sets Psalm 23 to an arrangement of the Irish traditional melody St. Columba. Rutter keeps the first three verses largely in unison, alternating between male and female...
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This elegant setting of the Evensong canticle Nunc Dimittis is in homage to and in the style of composer Sir Charles Villiers Stanford, whose own Magnificat and Nunc Dimittis settings are staples of t...
This elegant setting of the Evensong canticle Nunc Dimittis is in homage to and in the style of composer Sir Charles Villiers Stanford, whose own Magnificat and Nunc Dimittis settings are staples of t...
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This popular hymn is here set to the tune 'Hyfrydol' and has a splendid last verse descant.
This popular hymn is here set to the tune 'Hyfrydol' and has a splendid last verse descant.
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An arrangement of the Passiontide hymn When I survey the wondrous cross, set to the tune Rockingham, with which these words have long been associated. Part of the Cambridge Singers Hymn series, it is...
An arrangement of the Passiontide hymn When I survey the wondrous cross, set to the tune Rockingham, with which these words have long been associated. Part of the Cambridge Singers Hymn series, it is...
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Ein Arrangement der berühmten Hymne von John Darwall mit verschiedenen Versionen der Begleitung: Orgel, Blechbläser und Orgel oder volles Orchester.
Ein Arrangement der berühmten Hymne von John Darwall mit verschiedenen Versionen der Begleitung: Orgel, Blechbläser und Orgel oder volles Orchester.
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This serene Sonatina from Cantata 106, 'Gottes Zeit ist die allerbeste Zeit (God's time is best)', is the prelude to a contemplative funeral cantata in its original setting. Here transcribed for solo...
This serene Sonatina from Cantata 106, 'Gottes Zeit ist die allerbeste Zeit (God's time is best)', is the prelude to a contemplative funeral cantata in its original setting. Here transcribed for solo...
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- Martin Setchell
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This is a beautiful transcription of the G-minor Siciliano from the Sonata for Flute and Continuo in Eb major (BWV 1031), with the left-hand part is Bach’s continuo righthand line placed in the left-h...
This is a beautiful transcription of the G-minor Siciliano from the Sonata for Flute and Continuo in Eb major (BWV 1031), with the left-hand part is Bach’s continuo righthand line placed in the left-h...
- Querflöte und Klavier
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- Martin Setchell
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Setting a tender poem by Alfred, Lord Tennyson, this lullaby is full of sweet and recurring melodies that rock gently in 6/8 time. The vocal lines are well supported by a twinkling piano part and comb...
Setting a tender poem by Alfred, Lord Tennyson, this lullaby is full of sweet and recurring melodies that rock gently in 6/8 time. The vocal lines are well supported by a twinkling piano part and comb...
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With a text by the composer, this is a beautiful piece about optimism, companionship, and the belief that 'all will be well'. Todd's gentle melodies are supported by a delicate, pulsing piano accompan...
With a text by the composer, this is a beautiful piece about optimism, companionship, and the belief that 'all will be well'. Todd's gentle melodies are supported by a delicate, pulsing piano accompan...
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This simple setting of words by Tennyson reflects a different side to McGlade's compositional style, without sacrificing any of her trademark characteristics. The largely homophonic vocal lines move a...
This simple setting of words by Tennyson reflects a different side to McGlade's compositional style, without sacrificing any of her trademark characteristics. The largely homophonic vocal lines move a...
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This original composition for flute and piano is a fast dance piece in the klezmer style from the collection Flute Globetrotters (with CD backings), which introduces world-music styles to beginner pla...
This original composition for flute and piano is a fast dance piece in the klezmer style from the collection Flute Globetrotters (with CD backings), which introduces world-music styles to beginner pla...
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From the collection Solo Time for Violin Book 3, this is an arrangement for violin and piano of a piece from the last volume of Grieg's Lyric Pieces. An allegro molto character sketch based on the imp...
From the collection Solo Time for Violin Book 3, this is an arrangement for violin and piano of a piece from the last volume of Grieg's Lyric Pieces. An allegro molto character sketch based on the imp...
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- Kathy Blackwell David Blackwell
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With an alternating 2/4 and 3/4 time signature, this lilting melody is simple but charming, supported by a delicate piano part. Also available in a version for solo high voice and piano or organ.
With an alternating 2/4 and 3/4 time signature, this lilting melody is simple but charming, supported by a delicate piano part. Also available in a version for solo high voice and piano or organ.
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Scored for solo low voice and piano, I remember sets a text reflecting on the wonder of the natural world and the people who shape our lives. The stirring melody calls to mind the folksong tradition,...
Scored for solo low voice and piano, I remember sets a text reflecting on the wonder of the natural world and the people who shape our lives. The stirring melody calls to mind the folksong tradition,...
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Scored for high voice and piano or organ, this setting of a Jewish text is simple but uplifting, and well-supported by a flowing keyboard accompaniment. Also available in a version for solo low voice.
Scored for high voice and piano or organ, this setting of a Jewish text is simple but uplifting, and well-supported by a flowing keyboard accompaniment. Also available in a version for solo low voice.
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An easy and original setting, with an extremely memorable tune, of the well-known Rossetti text, here arranged for solo voice and piano. Vocal range: Eb4-G5.
An easy and original setting, with an extremely memorable tune, of the well-known Rossetti text, here arranged for solo voice and piano. Vocal range: Eb4-G5.
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This upper-voice version of John Rutter's enduringly popular Star Carol is compatible with both full and reduced orchestrations, as well as being suitable for performance with piano accompaniment alon...
This upper-voice version of John Rutter's enduringly popular Star Carol is compatible with both full and reduced orchestrations, as well as being suitable for performance with piano accompaniment alon...
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Carol accompaniment for brass ensemble from X456
Carol accompaniment for brass ensemble from X456
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This exuberant carol is full of contrast and seasonal cheer. It has a sprightly refrain, in which unison passages burst into jubilant harmony, and would make an ideal addition to any carol service or...
This exuberant carol is full of contrast and seasonal cheer. It has a sprightly refrain, in which unison passages burst into jubilant harmony, and would make an ideal addition to any carol service or...
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- Andy Brooke
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