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Michael Higgins's gentle setting of the traditional Gaelic Blessing has a memorable melody, a flowing piano part, and a beautiful, soaring soprano descant in the second verse. Written for the National...

John Rutter sets this timeless and beloved text from Ecclesiastes with a gently flowing melody. The result is a simple and lovely general anthem that perfectly encapsulates the paired images of the te...

As each voice enters the texture of a gently murmuring river gradually builds. A surprisingly easy transition into a more modal third verse adds direction and depth to this simple folk song. Orchestra...

With words by the composer, this mesmerising piece comes from the large-scale work, Snow Angel, and celebrates the coming of winter and the everlasting nature of music. Includes an optional cello part...

An arrangement of a tune by F. Lewis, originally called Dunlap's Creek. Orchestral scores and parts are also available. Offprinted from the collection My Song in the Night.

Six part-songs for upper voices, to words by John Keats. This piece was composed for the Aldeburgh Festival at around the same time as Holst was writing the book on her father, The Music of Gustav Hol...

A highly expressive setting of the biblical text, this simple work is at once tender and profound. It was composed for a memorial service for Edward T. Chapman, the Director of Music at Highgate Schoo...

This accompaniment may be used with X233 (SATB)

This set contains the following string parts: 4 x vln I, 4 x vln II, 3 x vla, 2 x vc, 1 x db.

Orchestral material is available on hire.

A dixie-land style arrangement which would make a rousing concert finale or encore. There are two accompaniments available on hire - for small ensemble and full orchestra.

Chilcott's four-movement setting of the Latin Gloria will be welcomed by choirs looking for an uplifting and jubilant concert work. It features a driving 'Gloria', a tender yet majestic 'Domine Deus',...

Orchestral material and the arrangement for women's voices are available on hire.

There are three songs making up this cycle entitled Western Songs - 'Buffalo Gals', 'Green Grow the Lilacs', and 'The Ol' Chisholm Trail'. The arrangements by turn spin contrapuntal and antiphonal tex...

Here, Vaughan Williams's arrangement of this well-known carol has been reworked into a setting for SATB chorus with an optional soloist. Offprinted from Vaughan Williams for Choirs 1.

Chilcott sets the melody of this traditional American spiritual against a whispered accompaniment in the lower parts. Richly scored for voices, this classic arrangement creates an atmosphere of magica...

In Second Still Life the play on the word second is very apt. Not only is it scored for just two instruments (although there is also an optional tam-tam part) but the interval of a second is explored...

Opening with a simplicity and innocence created by the unison theme, this anthem's textures gradually evolve as the other voices make their entries. This German translation of ust as I am is offprinte...

The harmonic beauty and expressive lines found in this motet emulate the devout text of the ever-popular Eucharistic hymn O sacrum convivium.

The popular John Rutter Christmas carol with piano accompaniment. Orchestral scores and parts are also availble on hire, as well as versions for SSAA (W76), and unison voices (U133). Offprinted from t...

Originally published in Sun, Moon, Sea, and Stars, 'Come back!' sets the composer's own text inspired by a poem from the Seminole tradition. This vibrant piece offers syncopated rhythms, jazzy harmoni...

This gentle arrangement of Will L. Thompson's words and melody (1880) is ideal for upper-voice choirs of all levels of experience. The melody is sympathetically treated, with simple vocal harmonizatio...

From Psalm 33 (opening phrase to be played on trumpets or organ)

This engagingly written piece sets the Lamentations of Jeremiah. The overlapping passages of music passed between the soloists and the choir create a dramatic effect, whilst the harmonic language give...