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This secular work for solo low voice and piano sensitively sets Langston Hughes's poem of the same name. A lilting melodic line and an effective piano part combine to create a piece that will appeal t...

Rutter's music captures the varied moods of Shakespeare's words, with their rapture, sorrow, humour, and vitality, in a way that makes these classic madrigal texts come alive for contemporary audience...

Rebecca Dale's reimagining of César Franck's Panis Angelicus was commissioned for the second instalment of Sonoro's Choral Inspirations project. Dale has drawn upon the harmonic framework of the origi...

In this compelling motet for the Feast of the Holy Trinity, Handl artfully embodies symbolism of the Trinity within the motet's structure.

A setting of haunting lyrical simplicity. An SATB version is also available. The accompaniment for strings is available on hire.

Orchestral material is available on hire. No. 2 of Two Hymns of Praise

This atmospheric setting of familiar words from Shakespeare's As You Like It is sprightly and uplifting, with singers being asked by the composer to perform with 'a bit of frost and a knowing smile'....

Set to words by the Estonian poet Doris Kareva, Our flags are wafting in hope and grief is a humanist anthem to the power of conviction and community in times of social turmoil.

This tender piece was composed in memory of the victims of Fukushima in 2011. It is both reflective and heartfelt, with a simple, appealing melody, rich harmonies, and a flowing accompaniment.

The Christmas motet Ex ore infantium was published with an organ continuo accompaniment, but the piece works equally well unaccompanied. The alternation of busy rhythmic writing with homophonic statem...

An old French carol with optional English lyrics included in the score. Orchestral scores and parts are also available. Offprinted from the collection Eight Christmas Carols Set 2.

The suggested programming for this anthem is ceremonies celebrating Jesus such as Ascension, Feast of Christ the King, and the Fourth Sunday in Advent. Some small changes were made to the dispensation...

This sensitive arrangement of a well-known Yiddish folksong introduces singers to the harmonic characteristics of Yiddish music. Clapping and body percussion is employed to great effect, and a pronunc...

Salisbury Vespers combines settings of the traditional Vespers psalms and anonymous early texts. Marian motets punctuate the psalm settings, and the work is concluded with a substantial setting of the...

An easy and original setting with an extremely memorable tune of the well-known Rossetti text. Also available in versions for solo high voice, upper voices, and mixed voices.

In this passionate four-movement work, composer Bob Chilcott and lyricist Delphine Chalmers explore themes of inclusivity, identity, and unity. Songs my Heart has Taught Me brings singers and audience...

Comprising four separate 'Lamentations', this work takes its text from John Donne's The Lamentations of Jeremy, and is set in Howard Skempton's characteristic pared-down style.

In O be joyful, the lyrical melody lines from the upper voices are supported by a sensitive and melodic piano accompaniment. The piece moves through a variety of tonalities and metres, which is typica...

This beautiful, simple piece for mezzo soprano and piano sets part of Alexander McCall Smith's poem, Winter Poem. It was first performed at Clare Hall College, Cambridge on 8th December 2012.

Brave Guy of Warwick sets text from Lines written at Warwick by George Crabbe (1754-1832) which describes a portion of the legend of Guy of Warwick. This piece is engaging and characterful, and audien...

This work, commissioned by Jeremy Huw Williams in association with the Vaughan Williams Trust, sets three poems by Dylan Thomas. The first is melancholic in character; the second contrasts the fearles...

'The Bridge of Fire', written in 1906, is the title poem of James Elroy Flecker's first published volume. It is largely a vivid description of the many Gods of Heaven, the great and the good, the bad...