Download-Noten von Rebecca Clarke

This attractive and concise setting of the Mass (without Creed) has flexible scoring, being for 2-part choir (upper and lower voices), or SATB, and organ. The communion motet Tantum ergo is also for 2...

Tauchen Sie ein in die traumhafte, tiefgründige Klangwelt von „Morpheus“ für Viola und Klavier, herausgegeben vom renommierten Verlag Oxford University Press. Benannt nach dem griechischen Gott der Tr...

A setting of specially-written texts by children, the subject matter is the sun, the moon, and the stars. The songs are linked by spoken narration, resulting in a rich and vivid tapestry. Orchestral m...

Entdecken Sie mit „Two Pieces for Viola (or Violin) and Cello“ aus dem renommierten Verlag Oxford University Press ein kammermusikalisches Juwel von berührender Schlichtheit. Inspiriert von Ralph Wald...

Tauchen Sie ein in die andächtige Klangwelt des traditionellen englischen Weihnachtsliedes mit „There Is No Rose“, herausgegeben von Oxford University Press. Dieses stimmungsvolle Arrangement erweckt...

Erleben Sie mit Rebecca Clarkes „Ave Maria“ ein musikalisches Juwel von zeitloser Schönheit. Dieses exquisite Werk für unbegleiteten Frauenchor (SSA) markiert einen bedeutenden Meilenstein der Chormus...

Entdecken Sie die klangvolle Welt des Musizierens mit „Shorter pieces for cello and piano“, herausgegeben vom renommierten Verlag Oxford University Press. Diese facettenreiche Sammlung bietet eine sor...

This is a compelling setting of words by American writer and civil rights activist James Weldon Johnson that tell how the power of song can overcome dark times. The composer brings this powerful text...

Chilcott's rare gift for crafting the most poignant and beguiling melodies is rarely more apparent than in his setting of this enchanting medieval poem. Also available in versions for solo high voice...

Taken at a slow processional tempo this work has a predominantly canonic texture. The syncopated passages are at once sombre and sensual, and the balancing homphonic phrases achieve real power. A shor...

This is one of Clarke's many pieces on love, and one of the best. It combines the English modality of earlier times with foretastes of the adventurous chromaticism of her later work. It is a lovely pi...

This is a lilting take on the Elizabethan lute-song full of smooth Stanford-like nineteenth-century harmonies, exquisitely tempered with modal effects.

This is an appropriately aching setting of Sir Philip Sidney's poem of unending desire and longing. There are gorgeous chromatics and enharmonics and a masterful use of a triplet pattern which becomes...

Weep you no more, sad fountains is a modern take on the Elizabethan lute-song, integrating the characteristic alternations of minor and major, fondness for cross-relations, and vivid word-painting. Th...

Music, when soft voices die combines aspects of nineteenth-century English pastoral style with some of the tonal adventurousness of Vaughan Williams's Shakespeare settings. This is an exceptionally be...

Now fie on love is a rollicking glee with all the usual imitative points and a somewhat unusual allotment of brawny sarcasm. It makes an effective encore.

He that dwelleth evokes Holst and Vaughan Williams in their more visionary modes. This is especially true of the opening and closing passages with their gently bitonal effect that surrounds the highly...

Although quite short, this is one of Clarke's boldest and, in some respects, most ambitious compositions. It sets Shelley's magnificent ode to the Evening Star.

Partially based on a plainsong melody, this peaceful setting of the Latin hymn text features sonorous harmonies, subtle time changes, and fluid choral homophony, with a beautiful soprano solo that flo...

Jackson effectively intersperses sonorous polyphonic passages for full choir with spoken text and murmuring ostinato motifs in free time.