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Using tenor and baritone saxes to do the heavy lifting, here is a fun chart on this Sonny Rollins classic. Mark also uses clever ensemble interludes and a shout chorus to round out this swingin' arran...

Using tenor and baritone saxes to do the heavy lifting, here is a fun chart on this Sonny Rollins classic. Mark also uses clever ensemble interludes and a shout chorus to round out this swingin' arran...

Using tenor and baritone saxes to do the heavy lifting, here is a fun chart on this Sonny Rollins classic. Mark also uses clever ensemble interludes and a shout chorus to round out this swingin' arran...

Using tenor and baritone saxes to do the heavy lifting, here is a fun chart on this Sonny Rollins classic. Mark also uses clever ensemble interludes and a shout chorus to round out this swingin' arran...

Using tenor and baritone saxes to do the heavy lifting, here is a fun chart on this Sonny Rollins classic. Mark also uses clever ensemble interludes and a shout chorus to round out this swingin' arran...

Using tenor and baritone saxes to do the heavy lifting, here is a fun chart on this Sonny Rollins classic. Mark also uses clever ensemble interludes and a shout chorus to round out this swingin' arran...

Using tenor and baritone saxes to do the heavy lifting, here is a fun chart on this Sonny Rollins classic. Mark also uses clever ensemble interludes and a shout chorus to round out this swingin' arran...

Using tenor and baritone saxes to do the heavy lifting, here is a fun chart on this Sonny Rollins classic. Mark also uses clever ensemble interludes and a shout chorus to round out this swingin' arran...

Using tenor and baritone saxes to do the heavy lifting, here is a fun chart on this Sonny Rollins classic. Mark also uses clever ensemble interludes and a shout chorus to round out this swingin' arran...

Using tenor and baritone saxes to do the heavy lifting, here is a fun chart on this Sonny Rollins classic. Mark also uses clever ensemble interludes and a shout chorus to round out this swingin' arran...

Using tenor and baritone saxes to do the heavy lifting, here is a fun chart on this Sonny Rollins classic. Mark also uses clever ensemble interludes and a shout chorus to round out this swingin' arran...

In this riff-based jazz standard, Michael Sweeney simplifies the figures just a touch to make it more playable by beginning groups, but authentic enough that it still really swings! A great introducti...

In this riff-based jazz standard, Michael Sweeney simplifies the figures just a touch to make it more playable by beginning groups, but authentic enough that it still really swings! A great introducti...

In this riff-based jazz standard, Michael Sweeney simplifies the figures just a touch to make it more playable by beginning groups, but authentic enough that it still really swings! A great introducti...

In this riff-based jazz standard, Michael Sweeney simplifies the figures just a touch to make it more playable by beginning groups, but authentic enough that it still really swings! A great introducti...

In this riff-based jazz standard, Michael Sweeney simplifies the figures just a touch to make it more playable by beginning groups, but authentic enough that it still really swings! A great introducti...

In this riff-based jazz standard, Michael Sweeney simplifies the figures just a touch to make it more playable by beginning groups, but authentic enough that it still really swings! A great introducti...

In this riff-based jazz standard, Michael Sweeney simplifies the figures just a touch to make it more playable by beginning groups, but authentic enough that it still really swings! A great introducti...

In this riff-based jazz standard, Michael Sweeney simplifies the figures just a touch to make it more playable by beginning groups, but authentic enough that it still really swings! A great introducti...

In this riff-based jazz standard, Michael Sweeney simplifies the figures just a touch to make it more playable by beginning groups, but authentic enough that it still really swings! A great introducti...

In this riff-based jazz standard, Michael Sweeney simplifies the figures just a touch to make it more playable by beginning groups, but authentic enough that it still really swings! A great introducti...

In this riff-based jazz standard, Michael Sweeney simplifies the figures just a touch to make it more playable by beginning groups, but authentic enough that it still really swings! A great introducti...

In this riff-based jazz standard, Michael Sweeney simplifies the figures just a touch to make it more playable by beginning groups, but authentic enough that it still really swings! A great introducti...

In this riff-based jazz standard, Michael Sweeney simplifies the figures just a touch to make it more playable by beginning groups, but authentic enough that it still really swings! A great introducti...

In this riff-based jazz standard, Michael Sweeney simplifies the figures just a touch to make it more playable by beginning groups, but authentic enough that it still really swings! A great introducti...