Edward Elgar Noten für gemischten Chor

Elgar is often considered the greatest English composer after Purcell while Richard Strauss called him the first English progressive musician of the 19th century. Here are 5 choral works that are wond...

The Light Of Life Op. 29 (Lux Christi), a short oratorio for soli, chorus and orchestra. Words written by Rev. E. Capel-Cure. First performed at the Worcester Festival, September 1896. Full score and...

Elgar's adaptation of Ben Jonson's opera The Devil Is An Ass, edited, arranged and orchestrated by Percy Young. Vocal score.

Written for SATB choir and piano.

Written for SATB choir with piano accompaniment.

Composed in 1903, Weary Wind Of The West is a setting of a text by T. E. Brown celebrating the powerful beauty of the elements.

Written for SATB choir with piano for rehearsal only.

Taken from For the fallen and arranged for SATB choir and piano accompaniment.

Written for SATB choir and piano. This is the last chorus from Caractacus.

Originally published in Epiphany to All Saints for Choirs, this setting of Ave Maria is both gentle and expressive. Fervent passages blend seamlessly with moments of reflection while the organ support...

Coro SATB, Org

Short anthem for SATB Choir and Organ.

A new edition (2004) of this Latin version of the Offertorium composed for the coronation of King George and Queen Mary.

Anthem for SATB Choir and Organ, arranged from Op. 2 No. 3 by the composer. Text by The Rev. Henry Collins.

For SATB Choir and Organ.

A new edition (2004) by Bruce Wood of Elgar's composition for SATB Chorus and Orchestra, composed in 1910.

A new edition (2004) prepared by Bruce Wood. A setting of texts from Joel Chapter II, suitable for use as a harvest anthem.

In Elgar's Pomp and Circumstance March No.1 the Land of Hope and Glory section first appears in the key of G (rather low for voices) and triumphantly returns near the end in D (rather too high for som...

In Elgar's Pomp and Circumstance March No.1 the Land of Hope and Glory section first appears in the key of G (rather low for voices) and triumphantly returns near the end in D (rather too high for som...