Filmmusik Noten: Bringen Sie Hollywood in Ihr Wohnzimmer

Blues In The Night (My Mama Done Tol' Me), written by Harold Arlen with words by Johnny Mercer, from the Warner Bros Picture 'Blues In The Night', arranged for voice and piano.

I've Heard That Song Before, written by Jule Styne with words by Sammy Cahn, from the Republic Picture Youth On Parade, arranged for voice and piano.

I'll Build A Fence Around You, written by Billy Mayerl with words by Frank Eyton, arranged for voice and piano.

In The Mountains, written by Billy Mayerl and Leslie Sarony, arranged for voice and piano.

Keep It Snappy, written by Billy Mayerl and Gee Paul, arranged for voice and piano.

Love's Lottery, written by Billy Mayerl with words by Gee Paul, arranged for voice and piano.

Make Hey! While The Moon Shines, written by Billy Mayerl with words by Frank Eyton, arranged for voice and piano.

The Lord Is My Shepherd by Howard Goodall is best known as the memorable theme from the award-winning BBC comedy TV series The Vicar of Dibley. Arranged for piano and voice, this setting of Psalm 23 i...

Why Not Madam?, written by Billy Mayerl with words by Frank Eyton, from the film 'Honeymoon For Three', arranged for voice and piano.

You Brought A New Kind Of Love To Me, written by Sammy Fain, Irving Kahal and Pierre Norman, from the Paramount Picture 'The Big Pond', arranged for voice and piano.

You Don't Have To Know The Language, written by James Van Heusen with words by Johnny Burke, as sung by Bing Crosby and the Andrews Sisters in the Paramount Picture 'Road To Rio', arranged for voice a...

That Was The Week That Was, written by Ron Grainer with words by Caryl Brahms and Ned Sherrin, as used in the BBC Television Production recorded by Millicent Martin, arranged for voice and piano.

Summer Love, written by Victor Young with words by Buddy Arnold and Milton Berle, from the Motion Picture 'The Star', arranged for voice and piano.

Go Home And Tell Your Mother, written by Jimmy McHugh with words by Dorothy Fields, as featured in Metro-Goldwyn-Mayer's Production 'Love In The Rough', arranged for voice and piano.

Beautiful Dreamer, written by Stephen C Foster, as sung by Lilian Gish in David O Selznick's 'Duel In The Sun', arranged for voice and piano.

Giannina Mia composed by Rudolf Friml with words by Otto Harbach, from the Metro Goldwyn Mayer Production 'The Firefly' in the key of C Major arranged for voice and piano.

Comedy Tonight, written by Stephen Sondheim and arranged for piano and voice in digital sheet music format and taken from The Best Of Singing Grades 4-5 (Low Voice).

I Could Have Danced All Night, written by Frederick Loewe with words by Alan Jay Lerner and arranged for piano and voice in digital sheet music format and taken from The Best Of Singing Grades 4-5 (Lo...

Comedy Tonight, written by Stephen Sondheim and arranged for piano and high voice in digital sheet music format and taken from The Best Of Singing Grades 4-5 (High Voice).

I Could Have Danced All Night, written by Frederick Loewe with words by Alan Jay Lerner and arranged for piano and high voice in digital sheet music format and taken from The Best Of Singing Grades 4-...

The Pleasure Of His Company, written by Alfred Newman with words by Sammy Cahn, from the Perlberg-Seaton Production, arranged for voice and piano.

The Deadwood Stage (from 'Calamity Jane'), written by Sammy Fain with words by Paul Webster and arranged for low voice and piano accompaniment in digital sheet music format.

Wouldn't It Be Loverly? (from 'My Fair Lady'), written by Frederick Loewe with words by Alan Jay Lerner and arranged for low voice and piano accompaniment in digital sheet music format.

The Deadwood Stage (from 'Calamity Jane'), written by Sammy Fain with words by Paul Webster and arranged for high voice and piano accompaniment in digital sheet music format.

Wouldn't It Be Loverly? (from 'My Fair Lady'), written by Frederick Loewe with words by Alan Jay Lerner and arranged for high voice and piano accompaniment in digital sheet music format.