Flötenquartett Noten

Artistic expression always finds a way to be heard, and coping with the 2020 quarantine inspired a great torrent of new outlets for musical performance. For Samuel Adler, this sparked new compositions...

Zyman's first major work for flute, CONCERTO NO. 1 is scored for a chamber orchestra of 5 winds, timpani, and strings. With this publication, the concerto is now available in print with a performance-...

Arioso is one of the fundamental elements of opera and represents an intermediate form between aria and recitative. Pawel Lukaszewski's Arioso refers to the glorious tradition of the Baroque master Jo...

Kurpian Impressions is a work of a didactic character, from the youthful period in the oeuvre of Pawe? ?ukaszewski. It is distinguished by its vitality and lightness. The composer introduces an intere...

The lullaby flourished as a musical form during the twentieth century. Pawel Lukaszewski's Lullaby is characterised by a vocal-style leading of the melodic line, beautiful, lyrical phrasing and atmosp...

Wings Concertino is a chamber version of Wings Concerto , originally composed for two flutes and chamber orchestra. This work was written in a charming convention. The combination of a light neoclassi...

Published for the first time, this charming work has been selected by both the ABRSM and Trinity Guildhall for their flute syllabii.

Two charming pieces which will delight relatives, friends and audiences whatever the occasion.

Weber schrieb seine Romanza Siciliana 1805 für einen Berliner Flötisten. In Druck erschien das Werk erstmals 1839 bei Schlesinger, der Vorläuferfirma des Robert Lienau Musikverlages und Originalverleg...

Die Kompositionen, Bearbeitungen und Übungsstücke von Wilhelm Popp (1828-1902) sind besonders unter Flötisten bis heute beliebt. Popp schrieb insgesamt über 600 Stücke in verschiedenen Schwierigkeitsg...

Auch wenn Wolfgang Amadeus Mozart (1756-1791) erklärtermaßen kein Freund der Flöte war, hat er unvergessliche Musik für das Instrument geschrieben, 'das ich nicht leiden kan': zwei Konzerte, ein Doppe...

Ulrich Leyendeckers 'Solo I' für Querflöte aus dem Jahr 1973 hat eine Spieldauer von ca. 5-6 Minuten. Zur Uraufführung gelangte das Solowerk im Jahr 1975 durch die Flötistin Maren Distel in München.