Folk Noten für gemischten Chor

Higgins' setting of this popular folk song is simple and wistful, particularly well-suited for children's and youth choirs. With delicate quaver flourishes, the piano accompaniment flows gently alongs...

This is a beautiful reworking of a popular folk hymn. The parts are arranged sensitively for changing male voices and there are optional solos at the beginning and end. Crawford employs a powerful hom...

This sensitive, authentic arrangement of a well-known Yiddish folksong introduces singers to the harmonic characteristics of Yiddish music. Clapping and body percussion is employed to great effect, an...

Mack Wilberg has arranged the well-loved Irish folk melody "Londonderry Air", setting to it the words of Howard A. Walter's poem 'I would be true'. Alternative words to the second and third verses by...

Rory Boyle's Twa Burns Songs are arrangements of two traditional Scottish folk songs, setting words by Robert Burns. The lilting legato accompaniment of the first song, 'Afton Water', emulates the viv...

Jennifer Lucy Cook hat sowohl die Musik als auch den Text zu dieser mitreißenden, autobiografischen Erinnerung an eine Bergwanderung geschrieben, von der sie gerettet werden musste. On the Mountain ha...

Ein bewegender, traditioneller irischer Segensspruch, vertont in großer Einfachheit und Schönheit. Chilcott fängt die Wärme und Aufrichtigkeit des Textes perfekt ein und webt eine einprägsame Melodie,...

A fresh, new, up-tempo arrangement of the popular English folk song. A great piano part drives this Jay Althouse arrangement from the opening measures. The familiar melody and superb voice leading mak...

A fresh, new, up-tempo arrangement of the popular English folk song. A great piano part drives this Jay Althouse arrangement from the opening measures. The familiar melody and superb voice leading mak...

Jay Althouse told us he thought Marta Keen's HOMEWARD BOUND was one of the finest pieces he's ever arranged. And we think it might be one of Jay's best arrangements. The haunting, folk-like melody ope...

This easy-to-sing arrangement of an Italian folk song is a simple, educationally appropriate cross-cultural work for developing choirs. Simple and uncluttered.

This easy-to-sing arrangement of an Italian folk song is a simple, educationally appropriate cross-cultural work for developing choirs. Simple and uncluttered.

A practical, easy-to-sing choral medley of four American folk song classics. Fresh harmonies and effective choral writing. May be performed in two sections.

Dieses eindringliche schottische Volkslied erzählt die Geschichte einer längst vergessenen Rebellion gegen die Briten mit einem wunderschönen Text von Robert Louis Stevenson. Es ist sowohl berührend a...

Written exclusively for young and developing 2- and 3-part groups, this fresh, new arrangement is a quick-learn piece for your singers. The bright, driving accompaniment supports the traditional, yet...

Written exclusively for young and developing 2- and 3-part groups, this fresh, new arrangement is a quick-learn piece for your singers. The bright, driving accompaniment supports the traditional, yet...

Why not sing a traditional Israeli folk song this year? Sally Albrecht presents this haunting, minor-key melody first in unison, then as a three-part round. Because it can be sung by any combination o...

Why not sing a traditional Israeli folk song this year? Sally Albrecht presents this haunting, minor-key melody first in unison, then as a three-part round. Because it can be sung by any combination o...

Only Mark Hayes could write such a spectacularly beautiful arrangement of this timeless, emotional Irish air. It opens expressively, with an optional flute, and builds, but culminates in a touching, p...

Only Mark Hayes could write such a spectacularly beautiful arrangement of this timeless, emotional Irish air. It opens expressively, with an optional flute, and builds, but culminates in a touching, p...

Only Mark Hayes could write such a spectacularly beautiful arrangement of this timeless, emotional Irish air. It opens expressively, with an optional flute, and builds, but culminates in a touching, p...

Welcome your audiences with this lively cross-cultural number which, translated from the Swahili, means 'Hello, welcome to Africa.' Patsy Simms has crafted the piece in the traditional African style w...

Welcome your audiences with this lively cross-cultural number which, translated from the Swahili, means 'Hello, welcome to Africa.' Patsy Simms has crafted the piece in the traditional African style w...

Hello, welcome to Africa. Patsy Simms has crafted the piece in the traditional African style with brief joyous solos (or small groups) followed by responses from the choir. Much of the text is in Engl...

Hello, welcome to Africa. Patsy Simms has crafted the piece in the traditional African style with brief joyous solos (or small groups) followed by responses from the choir. Much of the text is in Engl...