Frank Foster: Anspruchsvolle Noten

Hier ist Sammy Nesticos klassisches Arrangement dieses Frank Foster Jazz-Standards, wie er vom Count Basie Orchestra aufgenommen wurde! Mit dem charakteristischen Pianostil, gedämpften Bläsern im erst...

Hier ist Sammy Nesticos klassisches Arrangement dieses Frank Foster Jazz-Standards, wie er vom Count Basie Orchestra aufgenommen wurde! Mit dem charakteristischen Pianostil, gedämpften Bläsern im erst...

AS RECORDED BY THE DUKE PEARSON BIG BAND ARRANGED BY FRANK FOSTER, EDITED BY JEFFREY SULTANOF (From the forward by Jeffrey Sultanof) Frank Foster is still best known for his many years as saxophonist/...

Hier ist Sammy Nesticos klassisches Arrangement dieses Frank Foster Jazz-Standards, wie er vom Count Basie Orchestra aufgenommen wurde! Mit dem charakteristischen Pianostil, gedämpften Bläsern im erst...

Right from the Count Basie book, and taken from the latest CD from the Count Basie Band. This is not a re-arrangement! These are the parts used by Frank Foster and the Basie Band in their nightly enga...

One of Frank Foster's more ambitious charts in the context of the so-called 'Basie Tradition,' Major Butts is really just another medium up-tempo 12 bar blues, but with the added twist of an 'I Got Rh...

With the same harmonic structure as the late Dizzy Gillespie's 'Woody'n You', this song features tenor sax and piano. Following the intro and opening chorus the ensemble swings for half a chorus, then...

Arranged by Frank Foster and recorded by Diane Schuur with the Count Basie Orchestra in 1987, Deedles' Blues features an infectious melody with some appropriately sultry lyrics by Los Angeles-based vo...

This is a kind of knock-down-drag-out blues in A-flat major that features solos by piano and trombone. In a medium fast swing tempo (quarter note =160), the chart is somewhat typical of the so-called...

Discommotion is a medium up-tempo (quarter note=176) blues in B-flat that really shouts for 4 minutes and 55 seconds. Reminiscent of big band jazz from the 1960's, it might be called a sort of 'Off-Ba...

Originally written to feature legendary veteran bassist Earl May, longtime member of Frank Foster's Loud Manority big band rhythm section, this chart is perfect for the big band bassist who rarely tak...

Tomorrow's Blues Today is a somewhat different kind of 'blues.' While it employs the normal 12-bar chorus format, it uses minor seventh chords insted of major or dominant chords in the first eight mea...

2nd trombone is featured throughout this arrangement, opening with the melody written out for solo trombone playing funky using the plunger (ala the late Al Grey), then unison trumpets take over doing...

A medium-up-tempo B-flat blues featuring 1st tenor sax throughout (originally written to feature tenor sax star Bill Saxton). The brief ensemble introduction is followed by unison saxes in the opening...

If your're at all into what might be called 'Funk Jazz', this chart should fill the bill for you. The rhythm section establishes the groove from the very beginning, with the piano doing the principal...

Dedicated to the memory of Tito Puente. Yo Recuerdo A Mi Hermano Tito is a Latin-flavored composition somewhere between a cha-cha and a mambo. It could be called either a fast cha-cha or a slow mambo....

Frank Foster originally composed 'Manhattan Fever' as the title track for a 1968 sextet date of the same name. In 1977, Foster would release another album under the same title, this time featuring his...

This brilliant Frank Foster arrangement was written for the Count Basie Orchestra and recorded live in Detroit in 1992 for their Telarc CD 'Basie's Bag.' Foster takes this 1974 Cedar Walton tune and t...

You Can Have It is the result of a collaboration between legendary saxophonist/arranger Frank Foster and Los Angeles-based singer/songwriter Morgan Ames. This arrangement was specifically crafted to f...