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From the collection Hark, hark, the lark, 'When icicles hang by the wall' is a setting by Stephen Hatfield of words from Shakespeare's Love's Labour's Lost. Scored for unaccompanied upper voices, this...

The first section of this original carol by Rosephanye Powell is composed in the style of an African-American spiritual, following a call-and-response pattern, while the second section is in a jubilan...

Full of colorful and expressive harmonies, your choir will find deep beauty in this setting of a treasured spiritual. This moving testament of hope is supported beautifully by the piano accompaniment,...

This swingy song is absolutely irresistible! Written for three equal voices, this selection begins in unison, expands into harmony, then layers the three melodies before a modulation and return of the...

The simple Latin prayer expanded with additional English lyrics unfolds naturally in an open, spiritual way. This accessible work makes a wonderful benediction for a concert or service and while writt...

Opening with a slow, unaccompanied statement of the refrain, this contemporary setting of the traditional spiritual then unfolds into a dramatic layering thematic treatment that is tremendously exciti...

Honest, authentic, heartfelt - these are the words that come to mind with this plaintive folk setting for SSA voices. Perform it a cappella, or accompanied by guitar or piano, this selection will insp...

This setting by acclaimed African American writer Paul Laurence Dunbar is in the style of a lullaby, reflective and lyrical. With the flute obbligato evoking the singing bird, the text beckons the lis...

Based on Psalm 95:1-3

Known for his unique pairing of songs, Craig Hella Johnson has creatively combined the early contemporary Christian song by Larry Norman and Randy Stonehill with the popular favorite from the '60s. A...

Your high school or university women's chorus will be thrilled with this arrangement of a Brazilian folk song about the bamboo tree. Set for SSAA unaccompanied voices, the challenging work is well wor...

Written for the 2014 Kentucky ACDA Junior High Girls Honor Choir, this Appalachian nonsense song is a whirling, twirling kaleidoscope of sound. An excellent showcase for treble choirs in middle school...

Use your community network to find a banjo player and add some Appalachian flavor to your concert with this fresh setting! A fun novelty feature with banjo and percussion, you can supplement it furthe...

It would be more appropriate to label this piece as a composition for piano and divisi treble voices because the accompaniment is equally significant to the singers. A stimulating and thought-provokin...

This original song from a cappella supergroup Pentatonix is masterfully arranged by Wayne Grimmer, keeping all the fun and pop sensibilities of the original, and making it accessible for male, female,...

An all-purpose uptune, perfect for all audiences and performance settings. Use it as a show opener, icebreaker, even a closer. Lloyd Steinkamp's arrangement is propulsive, exuberant, and fairly quick...

Now adapted for SSAA by Richard Gabrillo, Craig Hella Johnson's setting of Dolly Parton's Light of a Clear Blue Morning is infused with light and hopefulness as it opens with a solo soprano and gradua...

Now available in men's and women's voicings! For choirs up to the challenge, this exciting setting of the popular Christmas song features extensive divisi and dynamic range.

A powerful message of hope from Rogers and Hammerstein with instant recognition. This Jon Nicholas arrangement is a must for any music repertoire. A great compliment to the Don Gray setting of If I Lo...

This Zulu lullaby is tastefully arranged for a cappella mixed voices, as it should be. One can almost smell the grasses on the plains and feel the earth with this song. Tender and gentle, its greatest...

The drone of the bells, the whispers from the choir, the Stevenson text, set the mood for winter. The choir's harmonies dance around the central tonality like a cold wind, always returning respectfull...

Another #1 hit from the fabled Motown production team in Detroit, this 1966 song by The Supremes was covered faithfully by Phil Collins in 1982. A near-perfect representation of '60s soul, this arrang...