Frauenchor mit Combo

This Southern gospel spiritual will raise the roof of your concert hall or sanctuary with a Saturday night revival feel and foot tapping a cappella harmonies! Easily learned and fun to sing!

Now available in men's and women's groups settings, the multi-layered texture of this powerful original spiritual is both challenging and invigorating. Duration: ca. 2:10.

The Moses Hogan arrangement of this spiritual is an absolute showstopper, and has electrified audiences since its debut in 1996. Now men's and women's choirs can experience the same excitement with th...

The Moses Hogan arrangement of this spiritual is an absolute showstopper, and has electrified audiences since its debut in 1996. Now men's and women's choirs can experience the same excitement with th...

A wonderful selection, this octavo offers two settings of the same melody: SSA voices for processional use, with three soloists; and the more developed SSAA arrangement for concert purposes, with sopr...

Selected for the William Powell Choral series, this encouraging choral contains both inspirational words and music by Gwen McLeod Hall. It is a message of hope, where singing serves as the disarming w...

The SATB edition (159337) was released last year and became an immediate hit. Carrying the positive message that we are all connected and need to take care of one another is just the beginning of why...

John Philip Sousa was an American composer and conductor best known for his military and patriotic marches. Sousa has over 100 marches to his credit, but this is his most successful and influential pi...

John Philip Sousa was an American composer and conductor best known for his military and patriotic marches. Sousa has over 100 marches to his credit, but this is his most successful and influential pi...

Rosephanye Powell released a gripping arrangement for mixed voices in 2004 that has enjoyed steady use. This SSAA arrangement remains true to the unique qualities of the previous voicing - heart-wrenc...

Rosephanye Powell released a gripping arrangement for mixed voices in 2004 that has enjoyed steady use. This SSAA arrangement remains true to the unique qualities of the previous voicing - heart-wrenc...

The Field Butterfly is a humorous song about the alikeness of a field butterfly to a 1900 Filipino lady dressed in her glamorous formal dress with tall butterfly sleeves. She struts swaying her hips d...

The Field Butterfly is a humorous song about the alikeness of a field butterfly to a 1900 Filipino lady dressed in her glamorous formal dress with tall butterfly sleeves. She struts swaying her hips d...

Pin pin de sarapin is a fingerplay song and chant from Capiz. It is a counting-out game where a player touches one finger after another of the other players and bends the finger on which he lands at t...

Pin pin de sarapin is a fingerplay song and chant from Capiz. It is a counting-out game where a player touches one finger after another of the other players and bends the finger on which he lands at t...

This Filipino or Visayan folk song is about joy and love. George Hernandez, conductor of the Saringhimig Singers from San Francisco has captured the native flavor in this rousing arrangement. Selected...

This Filipino or Visayan folk song is about joy and love. George Hernandez, conductor of the Saringhimig Singers from San Francisco has captured the native flavor in this rousing arrangement. Selected...

An important biblical parable comes to life in this traditional spiritual. Thoughtfully arranged, this tune in minor is singular in its sound and the text is ideal for those Sundays with readings rela...

An important biblical parable comes to life in this traditional spiritual. Thoughtfully arranged, this tune in minor is singular in its sound and the text is ideal for those Sundays with readings rela...

Originally composed and recorded in 1947 for the soundtrack of the film Green Dolphin Street by the Jimmy Dorsey Orchestra, it became a standard after Miles Davis recorded it in 1958. The lyric and or...

Originally composed and recorded in 1947 for the soundtrack of the film Green Dolphin Street by the Jimmy Dorsey Orchestra, it became a standard after Miles Davis recorded it in 1958. The lyric and or...