Frauenchor mit Ensemble

As I Sat Under a Holly Tree in an arrangement by Imogen Holst for 3 equal upper voices.

Text: Popular. Sprache: baskisch. Year: 1982/1985

Version for A Cappella SSAA Choir. Text: Gerard Manley Hopkins

I will be with you sets a reflective text by the composer with a message of enduring solace. Lush harmonies, with predominantly homophonic passagework, coupled with flowing and cascading lines in ever...

This three-movement work combines a number of themes through the poetry of Sara Teasdale. The first movement, 'Sister of the Sky', focuses on the morning in early spring. The central movement, 'Fearle...

Ende Dezember 1930 reiste Nino Rota in die Vereinigten Staaten, wo er auf Empfehlung Arturo Toscaninis am Curtis Institute of Music in Philadelphia aufgenommen worden war. Im Jahr darauf komponierte e...

Originally composed for Anton Armstrong and the St. Olaf College Choir, this setting was adapted for women's voices by Kathleen Rodde for the Iowa State University Women's Choir and their ACDA perform...

Originally composed for Anton Armstrong and the St. Olaf College Choir, this setting was adapted for women's voices by Kathleen Rodde for the Iowa State University Women's Choir and their ACDA perform...

A wonderful selection, this octavo offers two settings of the same melody: SSA voices for processional use, with three soloists; and the more developed SSAA arrangement for concert purposes, with sopr...

Now available in men's and women's groups settings, the multi-layered texture of this powerful original spiritual is both challenging and invigorating. Duration: ca. 2:10.

Now available in men's and women's groups settings, the multi-layered texture of this powerful original spiritual is both challenging and invigorating. Duration: ca. 2:10.

The Moses Hogan arrangement of this spiritual is an absolute showstopper, and has electrified audiences since its debut in 1996. Now men's and women's choirs can experience the same excitement with th...

The Moses Hogan arrangement of this spiritual is an absolute showstopper, and has electrified audiences since its debut in 1996. Now men's and women's choirs can experience the same excitement with th...

John Philip Sousa was an American composer and conductor best known for his military and patriotic marches. Sousa has over 100 marches to his credit, but this is his most successful and influential pi...

John Philip Sousa was an American composer and conductor best known for his military and patriotic marches. Sousa has over 100 marches to his credit, but this is his most successful and influential pi...

Jewish gospel? Of course! Sherry Kosinski helps usher TMP into a new genre. This is sure to be a hit with a temple choir looking to spice up Shabbat, a gospel choir looking to include Old Testament He...

The flowing, contrapuntal movement in Cantor Davidson's setting of Psalm 121 (A song of ascents...) is at once modern and madrigal, and provides options for singing in English, Hebrew, or both.

Now available in additional voicings, Sorida is a term of greeting in the Shona language of Zimbabwe, Africa, similar to shalom in Hebrew or jambo in Swahili. This original work features percussion, l...

John Leavitt's simple setting of the beloved Song of Solomon text, with a new optional piano accompaniment, features haunting suspensions and warm choral sonorities.

John Leavitt's simple setting of the beloved Song of Solomon text, with a new optional piano accompaniment, features haunting suspensions and warm choral sonorities.

This traditional greeting/salutation song of the Kwangali and Sotho people, with authentic call and response vocals, djembe, bass drum and shakers will be easily learned and a singer and audience favo...

This traditional greeting/salutation song of the Kwangali and Sotho people, with authentic call and response vocals, djembe, bass drum and shakers will be easily learned and a singer and audience favo...