Frauenchor mit Kammerorchester

Opening with a bright statement of the main theme with striking accents, dynamic contrasts and a pulsating rhythmic energy, this accessible work for treble voices transitions into a contrasting and mo...

This substantial work for treble voices begins with a bell-like piano introduction before launching into the buoyant 6/8 strains of the body of the work. Jubilant rhythms dance over the underlying pul...

This substantial work for treble voices begins with a bell-like piano introduction before launching into the buoyant 6/8 strains of the body of the work. Jubilant rhythms dance over the underlying pul...

From the Mozart Missa Brevis K. 275, this delightful work has been adapted for treble voices. An excellent introduction to Classical era style and performance practice!

From the Mozart Missa Brevis K. 275, this delightful work has been adapted for treble voices. An excellent introduction to Classical era style and performance practice!

Opening andante espressivo over a ground bass, this deeply emotional setting of the Agnus Dei is infused with hopefulness and warmth. Together with the companion movements Kyrie and Gloria, this work...

Opening andante espressivo over a ground bass, this deeply emotional setting of the Agnus Dei is infused with hopefulness and warmth. Together with the companion movements Kyrie and Gloria, this work...

Jude Roldan is pianist/composer for the world famous Hail Mary the Queen Children's Choir of the Philippines, directed by his wife, Maria Theresa Vizconde-Roldan. This beautiful setting of the Ave Mar...

This work bounds away with spirit and energy, embracing the force of nature portrayed in the Anne Brontë poem. This selection will showcase middle and high school developing choruses at their best in...

This selection by Baroque composer Johan Helmich Roman, adapted in this edition for treble voices, is recommended for festival and contest programming for choirs in middle school and high school, as w...

This selection by Baroque composer Johan Helmich Roman, adapted in this edition for treble voices, is recommended for festival and contest programming for choirs in middle school and high school, as w...

This anthem challenges listeners to find their place in the world and to embrace their special calling. A song of the journey, this winsome poem is set to the well-known Welsh tune CYMRAEG and is ador...

This anthem challenges listeners to find their place in the world and to embrace their special calling. A song of the journey, this winsome poem is set to the well-known Welsh tune CYMRAEG and is ador...

Upbeat and uptempo, this joyous anthem could be used in both worship and concert, and its accessible vocal writing alternates between unison and harmonic passages. A straightforward piano part further...

Composed when he was only 10 years old, Emile Serper wrote this about his composition: It is my hope that this setting of Ave Maria may have a positive impact and be shared in many ways. After I heard...

Composed when he was only 10 years old, Emile Serper wrote this about his composition: It is my hope that this setting of Ave Maria may have a positive impact and be shared in many ways. After I heard...

Introduce your treble choirs to the Baroque/Classical style of the Italian composer Baldassare Galuppi with this adagio movement filled with sorrowful descending lines and ardent suspensions. An excel...

Introduce your treble choirs to the Baroque/Classical style of the Italian composer Baldassare Galuppi with this adagio movement filled with sorrowful descending lines and ardent suspensions. An excel...

Now available in SAB and SSA voicings, this exuberant Schubert piece begins with joyous acclamations in the opening measures, polyphonic writing and a lyrical presentation of the 'amens' then followed...

Now available in SAB and SSA voicings, this exuberant Schubert piece begins with joyous acclamations in the opening measures, polyphonic writing and a lyrical presentation of the 'amens' then followed...

Four movements from the end of the Passion section of Considering Matthew Shepard we hear from a deer. It has been well established that Matt loved the outdoors and it is fitting that a deer should si...

When Leonard Bernstein wanted to cleanse his pallet he studied Haydn. This chorus from Haydn's Heiligmesse is an ideal introduction to classical style and a wonderful vehicle for you as the director t...

When Leonard Bernstein wanted to cleanse his pallet he studied Haydn. This chorus from Haydn's Heiligmesse is an ideal introduction to classical style and a wonderful vehicle for you as the director t...