Frauenchor mit Klavier

A contemporary orchestration and a men's voicing have been newly added to this, the opening movement from John Leavitt's Missa Festiva. Lyrical lines and flowing phrases throughout.

A contemporary orchestration and a men's voicing have been newly added to this, the opening movement from John Leavitt's Missa Festiva. Lyrical lines and flowing phrases throughout.

Continuing in the tradition he established with his best-selling FESTIVAL SANCTUS and GLORIA, here Leavitt sets another time-honored Latin text in his own stylistic fashion. Commissioned by the Unifie...

Sherri Porterfield has created a wonderful version of Brahms' Lullaby (Cradle Song). German and English texts are provided. It's a delightfully tender and sensitive arrangement that will be a welcome...

Baer mig, stjerne for lige stemmer SSA og klaver af Phillip Faber. Tekst af Halfdan Rasmussen. Saertryk fra WH32776 - Sange for pigekor 1 - DR Pigekoret Saertryk fra WH32776 - Sange for pigekor 1 - D...

Sange for Pigekor 4 redigeret af Phillip Faber og Jakob Faurholt (2017). Fra forord:Med serien Sange for pigekor ønsker vi at fokusere på bredden i ligestemmig sang og præsentere de bedste satser fra...

Stacey Gibbs' Li'l David for treble chorus is a tremendous creation by this well-loved arranger. This will be a great choice for more advanced treble choirs, but the way the two SSA choirs play off of...

A thrilling setting of English, Basque, and Latin texts that proclaim the joy of singing to God. Already much-loved around the world from various performances at the 2011 World Choral Symposium and th...

Using the text from one of the Beatitudes, 'Blessed are the merciful', this is a lyrical and beautiful work for treble choir and piano by Polish composer Marek Raczynski. With Latin and either Polish...

Brisk and expressive melodic phrases along with the piano's fluttering accompaniment reflect images of the butterfly. Soaring and singable, this will be a wonderful selection for developing choirs and...

This rousing arrangement for women's chorus of this traditional French song will become a favorite of both your singers and your audiences. The piano accompaniment and the use of body percussion add t...

This Irish blessing inspires thoughts of returning home. Composer Christopher Wong has created a substantial work that will fit beautifully as a centerpiece for your program or as a moving and thought...

Brent Wells' setting of I Heard from Heaven Today builds from melancholy reflection to an outpouring of joy. An exceptional selection for mid-level and advanced treble choirs with achievable vocal lin...

This gentle Marian lullaby has been set beautifully by Ivo Antognini for treble voices. True to the composer's style, the melody is compelling with rich and simple harmonies. A great option for mid- t...

Written for the needs of young choirs, this two-part neoclassic piece incorporates useful teaching techniques. It is appropriate for sopranos and altos of all ages. Based on the keyboard accompaniment...

An SSAA/four-hand piano version of Davison's original O Sing to the Lord. A strong yet accessible concert opener. Multi-rhythms enhance the excitement of this majestic concert or festival selection.

Drei ausgewählte, charaktervolle Songs in Bearbeitungen für Frauenchor (S.S.A.) und Begleitung: Let My Voice Be an Instrument of Praise Eine hymnische, berührende Gospelballade von Niko Schlenker, die...

Aufführungsmaterial siehe BA7674 Das 'Gloria' RV 589 ist heute wohl eine der bekanntesten Kompositionen Vivaldis und eines der am häufigsten aufgeführten geistlichen Vokalwerke aus dem Barock. Das Wer...

Aufführungsmaterial siehe BA8950 Sopran solo, Alt solo, Frauenchor: SSAA (Coro I und II) Orchester (Coro I und II) : Violine (2), Viola, Basso continuo (Cello, Kontrabass, Orgel) Das 'Gloria' RV 589...

Die Harmoniumstimme kann sehr gut auch von der Orgel übernommen werden.

Bei Einzelabnahme ist die Partitur mit Kopierschutz versehen. Dieser entfällt nur bei gleichzeitiger Abnahme der Chorpartitur in Chorstärke bzw. des Orchestermaterials.

Bei Einzelabnahme ist die Partitur mit Kopierschutz versehen. Dieser entfällt nur bei gleichzeitiger Abnahme der Chorpartitur in Chorstärke bzw. des Orchestermaterials.

Bei Einzelabnahme ist die Partitur mit Kopierschutz versehen. Dieser entfällt nur bei gleichzeitiger Abnahme der Chorpartitur in Chorstärke bzw. des Orchestermaterials.

In diesem Vokalquartett für vier Frauenstimmen und Klavier vertont Schubert einen Text aus den Oden Ewald Christian von Kleists, die ersten vier Strophen seines 17-strophigen Gedichts 'Hymne'. Der Übe...