Frauenchor mit Klavier

Soaring blithe and free, oh that the Lark were me. Adapted from George Meredith's poem, the lyrics explore the heartfelt yearning for a life more carefree. Beautifully flowing lines and full vocal tex...

Emotion, strength, beauty and texture are a few words that describe this treatment of a classic folk song! Excellent sequel to Linda's 'Shenandoah'. Available: SATB, SSA, 3-Part Mixed. Performance Tim...

Lovely arrangement of the favorite 16th century English carol

From the Jean Ashworth bartle choral series for treble voices. The series offers two versions of this well loved piece: this one, (in the key of a-flat), is the easier one and can be used with smaller...

A suitable festival piece for treble voices, wonderful for Jr. high, children's choir, or easy adult choir

This excellent concert piece is perfect for a more advanced Jr. high/high school choir or a medium advanced adult choir. Ideal for a festival Accompaniment: trumpet and piano, or full orchestra.

Great for just about any choir, this delightful new Christmas octavo has original words and music by Matthew Armstrong.

In this familiar lullaby from the Jean Ashworth Bartle Series, Isaac Watts compares our babes to baby Jesus in the manger

Recommended by master teacher Jean Ashworth Bartle, this work for three-part treble voices by Canadian composer Ruth Watson Henderson is based on a set of riddles. One part of the chorus sings the rid...

Traditionally a love song, this air from Northumbria is written for treble voices (SSA) accompanied by piano. Arranged by Samuel Adler, a prolific composer and conductor, it is of medium-easy difficul...

The Jean Ashworth Bartle Choral Series is a hallmark for the Hinshaw catalogue. This arrangement, part of a set of three French carols (French and English texts included) by Derek Holman, will be a wi...

The Jean Ashworth Bartle Choral Series is a hallmark for the Hinshaw catalogue. This arrangement, part of a set of three French carols (French and English texts included) by Derek Holman, will be a wi...

The Jean Ashworth Bartle Choral Series is a hallmark for the Hinshaw catalogue. This arrangement, part of a set of three French carols (French and English texts included) by Derek Holman, will be a wi...

The text for these two companion pieces might provide an opportunity to do some teaching on the importance of proper punctuation. For a little comic relief, try this winner with your women's choir.

Instumentation: Piano, Harp, Cello, and Flute (optional)

Though not the tune that we normally associate with this text, this one is truly beautiful. For women's voices with piano, the work is also available for mixed voices (HMC1539) or in a wonderful setti...

Originally scored for three part mixed chorus (HMC1778), here Tom Shelton sets the Emily Dickinson text for SSA chorus and piano. Try it during American music month

Tom Shelton is a master writer for young voices and this work for three-part treble chorus with piano and optional wind chimes is no exception.

This remarkable trio is taken from Bach's Magnificat in D Major (BMV 243). Scored for SSA chorus and keyboard, the work is an example of the great master's brilliant contrapuntal writing. Very effecti...

This piece for two-part treble voices with piano was set to a poem by then fifth grader Noor Al-Sibai. Written in 2002, thoughts at the time were reminiscent of September 11, 2001. The piece works wel...

Olivia Anderson and Allison Delargy, students at the Durham, NC School of the Arts, wrote this text in honor of their choral teacher Ms. Scott hill upon her retirement. Tom Shelton has masterfully set...

There are more voicings available for this piece than any other work in the Hinshaw catalogue (SATB, SAB, 2-part, and TBB). Now set for SSA voices with piano, the work is useful in building independen...

Originally written for mixed voices (HMC1940), Larry Shackley provides us with a very effective treble chorus voicing. This beautiful lyric melody would be great for lessons and carols, Christmas Eve,...

Scored for treble choir (SSAA) with piano, this is a very popular English folk song, a true winner for your spring concert!

Many of you have known the sacred music of David Schwoebel for quite some time. This is his first published secular work. Based on a text by Elizabeth Barrett Browning, the piece is scored for SSAA tr...