Frauenchor mit Orchester

Antonin Dvorak was especially successful at incorporating the folk tunes of his homeland. Dyby Byla, one of his first duets based on a Moravian folk song, is brisk, short, and  delightfully fun to sin...

Coty Raven Morris inspiring Who I Want to Be, arranged by Saleel Menon, is ideal for treble choirs of all abilities. Certain to be empowered by the rich messages found within and with solo or small gr...

With tremendous rhythmic variety, vitality, and even counterpoint, Davison creates a frenetic energy in this beloved African American spiritual. Ranges are perfect for emerging treble choirs in the mi...

This not-to-be-missed setting of a Ghanaian folksong sparkles with energy and excitement. Whether it is sung with or without piano accompaniment, the strong vocal pairings, handclaps, and active percu...

Gilpin's setting of an Appalachian fiddle tune from the mid-1800s is quite comical as it creates the story of someone chasing down their aging hen, trying to get it to lay eggs. By the end, the owner...

Not Yet ist ein ermutigendes Stück für zweistimmigen dreistimmigen Chor, das den Weg von Selbstzweifeln zu Selbstvertrauen erforscht. Inspiriert von den Konzepten der fixen und der wachsenden Denkweis...

Glenda Franklin captures the essence of the spiritual with this passionate piece for SSA voicing, with lyrics like 'Goin' up to heaven to receive her angel voice.' 2:10

This rocking, soothing SSA setting of Away in a Manger by Ruth Elaine Schram is easy to learn and multi-functional. Schram has provided the option of using the holiday text or that of Robert Burns' we...

Dating back to the 16th century England, Hey! Ho! Nobody Home! was sung by carolers who went door to door to receive food for their singing. Presented as a round/canon, Robinson's jazzy, swing-style a...

Ruth Elaine Schram's arrangement of this lovely French carol may be performed in French or English. With canonic-like imitation throughout, singers of all abilities are sure to experience success lear...

Delightfully delicate, A Merry Autumn should be sung in a lilting meter of two. The text reminds us of the beauty of the fall season with its kaleidoscope of colors. Suitable for festival, concert and...

The strong, driving rhythms and dynamic contrasts in this setting of a familiar Latin text will keep audience and chorus engaged right up to the final vigorous 'Hallelujah!' Its dynamic writing will m...

The writing of David Ashley White demonstrates a varied approach to texture, mood, and voicing. His choral cycle, Mark the Music!, takes its title from Lorenzo's Admonition in The Merchant of Venice....

Lee R. Kesselman is known for his unique choral writing. Ani Ehh'yeh is a memorial laden with opportunities for dramatic expression, contrasting moods, and expressive singing. With or without the viol...

Commissioned for the 2016 FMEA All-State Elementary Choir, there is nothing elementary about the shining writing of Mark Patterson in Stars. True to form, Patterson's writing has lovely, interesting m...

With or without the fiddle, this up-tempo, toe-tapping Irish folk song arrangement is sure to be a favorite for treble ensembles. While learning about the Belle of Belfast, treble ensembles can develo...

Ruth Schram captures the beauty of a sunset using various hues and word painting in this lush setting for treble ensembles. Sunset presents a bounty of teaching opportunities to reinforce syllabic/wor...

Michael Zook is an exciting new addition to the Carl Fischer Choral catalog. His piece You are My Song uses original text as well as text from the beloved Robert Burn poem A Red, Red Rose. Zook's beau...

Red Velvet ist ein reizvolles Chorfestival. Mit einem Text, der sowohl komödiantisch als auch zum Nachdenken anregt, lädt dieses Stück die Sängerinnen und Sänger dazu ein, sich auf die Theatralik einz...