Frauenchor mit Orchester

für SSA und Klavier. Sanft und doch freudig ist We Thank You eine Ode an die Seligkeit der Natur. Die Musik nach einem Text von Ralph Waldo Emerson ist warm, tröstlich und fließend, mit den für Quarte...

Wolfgang Amadeus Mozarts Requiem in d-Moll (KV 626), ein emblematisches Werk des geistlichen Repertoires, bleibt eine der bekanntesten Kompositionen in der Geschichte der klassischen Musik. Dieses nac...

Wolfgang Amadeus Mozarts Requiem in d-Moll (KV 626), ein emblematisches Werk des geistlichen Repertoires, bleibt eine der bekanntesten Kompositionen in der Geschichte der klassischen Musik. Dieses nac...

Details: 9 Frauenstimmen und 3 Instrumente

Details: neun Frauenstimmen

Heather Dohollaus Poesie bewegt sich stets an der Grenze zwischen Worten und Stille. Die aus Wales stammende, aber seit 1950 in Frankreich lebende Heather Dohollau (1925-2013) hatte durch die Konfront...

Details: drei Frauenstimmen und Instrumentalensemble (fl., cl., vibra., acc., vl. und vlc.)

Betsy Jolas: Enfantillages (Choral-Female accompanied)

A stirring text combined with solid choral writing make this an ideal choice for concerts and festivals. Perfect for massed choirs or for any size choir. Starts small, builds, and then ends quietly: '...

A stirring text combined with solid choral writing make this an ideal choice for concerts and festivals. Perfect for massed choirs or for any size choir. Starts small, builds, and then ends quietly: '...

Sally Albrecht has taken a famous text from Much Ado About Nothing and set it to a charming, original melody for SSA voices. The piece has a madrigal-like quality, complete with a 'hey nonny, nonny' s...

Here is a very special piece which has been widely performed by choirs for seasonal and year round events. Now available for SSA ensembles, One Candle Lights the Way is a touching ballad with a secula...

An outstanding concert work with a powerful text for SATB and SSAA choirs. Careful attention is paid to the text with mostly homophonic writing and an A-B-A form. The piano part is not difficult and s...

An outstanding concert work with a powerful text for SATB and SSAA choirs. Careful attention is paid to the text with mostly homophonic writing and an A-B-A form. The piano part is not difficult and s...

Sung entirely on 'fa-la-la' and 'plum,' this novelty piece successfully transforms Tchaikovsky's orchestration into a light and lively a cappella choral. A jovial choice for holiday performances, Jeff...

Sung entirely on 'fa-la-la' and 'plum,' this novelty piece successfully transforms Tchaikovsky's orchestration into a light and lively a cappella choral. A jovial choice for holiday performances, Jeff...

From the third act of Vivaldi's opera La Fida Ninfa, this triumphant chorus in 3/4 is built upon solid 3-part choral writing. An optional flute duet, timpani part, and featured small ensemble in the B...

Choirs will achieve a quality sound as they perform this richly woven tribute to singing and music. Features optional solos in the pensive opening, then builds to the final statement, 'I cannot be sil...

Choirs will achieve a quality sound as they perform this richly woven tribute to singing and music. Features optional solos in the pensive opening, then builds to the final statement, 'I cannot be sil...

Now this favorite aria from Handel's opera Semele can be enjoyed by treble choirs of any age. The nimble new piano part aids in shaping the legato choral phrases, just as the augmented interludes prov...

Now this favorite aria from Handel's opera Semele can be enjoyed by treble choirs of any age. The nimble new piano part aids in shaping the legato choral phrases, just as the augmented interludes prov...

Written in the style of a folk song, this exquisite original choral captures the essence of a tender love that lasts forever. 'Where the sea meets the sky, I know it's there that you and I will be tog...