Gabriel Jackson Noten für gemischten Chor

Ruchill Linn sets a text by the Perthshire poet Robin Bell. 'Linn' means waterfall and the poem meditates on a still spring evening at dusk. The piece is illustrative, with aqueous, tumbling vocal fig...

Jackson's work couples the expressive language of a medieval Latin hymn with the Collect for St Margaret of Scotland. The use of hockets and isorhythms give the music a deep medieval grounding, whilst...

This work sets a poem by George Meredith. The poem, Winter heavens, begins as a winter landscape, before coming richer, stranger and more metaphysical. Winter heavens was premiered in December 2011 by...

Written in celebration of the 40th anniversary of the Tallis Scholars, this joyful and virtuosic antiphon captures a sense of both jubilation and devotion, in keeping with the spirit of the anniversar...

This work was awarded the British Composer Award for Liturgical Music in 2003, but is published for the first time in 2013. The Roman Catholic Liturgy includes an antiphon to the Magnificat at Vespers...

Written in 2004, Jackson harks back to the time of the Eton Choirbook with this expansive polyphonic Salve Regina, with its intricate and delicate interspersions in English decorating the celebrated L...

Setting text recorded in an early fourteenth-century Cambridge manuscript, this work presents evocative solo passages above sustained notes, and rich multi-layered canon-like passages in the upper voi...

Commissioned by the Church of the Immaculate Conception, Farm Street, London, this a cappella setting of the 4th Century Latin prayer is a hymn of praise to the Virgin Mary.

Bright, electric, and charged with energy, this setting of one of the seven Advent 'O' Antiphons features Jackson's characteristic flourishes of melodic ornamentation, tempered by moments of calm from...

This stunning setting of Revelation 22:12-13, 17, describes Christ's generous offering of grace to 'whoever is willing'. The piece begins with a lively opening but quickly shifts into a gentler mood,...

Commissioned by the London Festival of Contemporary Church Music, this short work sets the Eucharistic hymn by Thomas Aquinas. It starts with an expressive, rhythmic soprano line, and finishes with a...

In this unaccompanied setting of Thomas A. Clark's poem, Jackson beautifully conjures up the atmosphere of the onset of nightfall. Featuring a wide range of rhythms, textures, and dynamics, this is a...

This is a setting of the words used to conclude a communion service: 'The Mass is ended, thanks be to God.' The tenor's heraldic opening leads into the highly rhythmic 'Deo Gratias' section. Written f...

Ever-changing in mood and pace, La Musique is a setting of poems by Elizabeth Bishop and Charles Baudelaire on the transformative power of music. Jackson musically represents the complex psychological...

Here Jackson sets early Christian texts by St Augustine of Hippo, Baldwin of Forde, and St Mary Magdalene de Pazzi alongside words by Estonian poet Doris Kareva. Each movement offers a change of mood,...

'Rigwreck' sets a text by poet Pierre Joris on the 2010 Deepwater Horizon oil spill in the Gulf of Mexico. Frequent vocal divisions in up to eight parts, a wide range of dynamic expression, spoken lin...

Set to words by the Estonian poet Doris Kareva, Our flags are wafting in hope and grief is a humanist anthem to the power of conviction and community in times of social turmoil.

Setting a stanza of Tennyson's monumental and profound poem In Memoriam A.H.H., Jackson's work deals with reflections on loss and grief.

A challenging yet delicate anthem, with subtle key-signature changes, vocal divisions in up to eight parts, and alternating homophonic and polyphonic passages, the piece combines excerpts from the syn...

This work presents two contrasting yet coherent motets: The joyful 'Confirma hoc Deus', with its jubilant, melismatic motif; and the solemn 'Factus est', which features aleatoric sequences set against...

Jackson's Holy is the true light sets a text translated from the Salisbury Diurnal that emphasizes the solace of faith in times of conflict. The fluid changes in time and key signatures and effective...

This celebratory anthem for double choir is set to the words of the Roman lyric poet Horace. Jackson combines declamatory unison passages for full choir with more lyrical polyphonic phrases shared bet...

This reflective and affirmatory communion motet features fluid shifts between 3/4 and 4/4 time signatures and expressive melodic lines that are often underpinned by a drone.

This serene communion motet sets the last two verses of the Pangue Lingua and oscillates between 3/4 and 4/4 time signatures. The melodic lines are expressive and at times melismatic, and the divisi i...

This setting of texts from Cymbeline and The Merchant of Venice, and Sonnet 98, is characterised by inventive textures and vibrant word-setting. The harmonic language is mostly diatonic but never plai...