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This is a beautiful and dynamic setting of well-known words from the Song of Songs (or Song of Soloman). With a soaring soprano melody, McGlade's fluid vocal lines drive harmonic twists within an imme...

I my Best-Beloved's am was written in 1999 for the BBC Singers and focuses on the theme of marriage, setting the nuptial responses from the old Tridentine Catholic marriage service and stanzas from Fr...

Setting words from the Ordinary of the Lutheran Mass, this brief but resoundingly effective piece is perfect for opening a choral concert. The piece begins with each part entering a 3rd lower than the...

An impressive setting of the Gradual for Maundy Thursday, dating from 1884, the period of the Seventh Symphony and the Te Deum.

My prayer is a technical 'tour de force', meticulously sculpted from the distilled essence of Purcell's original and yet always recognizably Chilcott. The music is involved, passionate, and frequently...

This expressive anthem-style setting would be the perfect choice for any dedication festival. A lilting triple time pulse and rich harmonies combine to make music of effortless beauty whilst remaining...

This optimistic and affirmatory anthem sets a useful service text of general thanksgiving from the Book of Common Prayer. Chilcott makes full use of the imitation and antiphonal effects that these for...

This short collection presents the complete set of meditations from Chilcott's St John Passion. Setting English poems from the 13th to the early 17th centuries, the meditations provide a very personal...

Introduced by the children's choir, Quartel's simple and uplifting melody repeats throughout the piece, beautifully coloured by the surrounding parts. The voices offer joyful praise and the rich harmo...

William Romanis's hymn text is brought to life in this enchanting anthem with unexpected harmonic shifts and fluctuating time signatures. Rooney glides gracefully between tonal centres, creating a bea...

From the collection Epiphany to All Saints for Choirs, this setting by Malcolm Archer of the familiar text by Prudentius and Caswell provides a fresh alternative version of the hymn. Scored for SATB u...

From the collection Epiphany to All Saints for Choirs, this exquisite piece of 16th century polyphony is here edited by Timothy Morris. Scored for SATB unaccompanied and including a piano part for reh...

Offprinted from the collection "Sprituals for Choirs".

Khorurd Metz is an Armenian sacred hymn, or sharakan, for the feast of the Nativity. Movses Khorenatsi, who wrote both the words and the melody, was one of the Armenia's greatest sharakan composers, a...

The Cherubic Hymn' is a hidden gem from Rachmaninov's Liturgy of St. John Chrysostom, perfect for Trinity Sunday. With flowing melodic lines, exquisite harmonies, and a contrasting second half, the re...

Scored especially for ATB to meet social distancing requirements, this piece has both special resonance and practical application in these uncertain times. McGlade's characteristic unaccompanied style...

A short, but eloquent setting of the eighth stanza of the hymn 'Pange lingua', and thus an effective Holy Week motet.

Setting a hymn by E. H. Plumptre, this rousing anthem is rich in textural and harmonic contrasts and innovative chord sequences. Harris employs effective repetition of the focal word 'rejoice!', which...

This is a lilting take on the Elizabethan lute-song full of smooth Stanford-like nineteenth-century harmonies, exquisitely tempered with modal effects.

Skempton's After Rain sets an evocative text by Edward Thomas with a contemplative choral part over a rich and slow-moving cello line. Skempton alternates between contrasting upper-voice duets and ful...

This setting of the traditional hymn to 'Mary, the star of the sea' contrasts two moods and styles: the flowing simplicity of the 'Ave maris stella' refrain and the slightly faster and more homophonic...

This motet is the fifth of a set of seven relating the life story of the Blessed Virgin Mary. Finnissy's aim was to hint at technical and expressive continuity with the music of the 11th and 12th cent...

This setting of this popular text was composed in 1997; choir directors should feel free to put a few sopranos on the alto line in the two polyphonic sections. Offprinted from the collection Cantica N...

This setting was commissioned by Choir and Organ magazine in 2003 and first performed by St Alban's Cathedral Choir under the direction of Andrew Lucas. Offprinted from the collection Cantica Nova.

This Introit is the first of four Latin motets commissioned for the 1976 Edington Festival and first performed in Edington Priory. The Introit firsty pays tribute to Augustine, and then, in a more liv...