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This substantial work for treble voices begins with a bell-like piano introduction before launching into the buoyant 6/8 strains of the body of the work. Jubilant rhythms dance over the underlying pul...
This substantial work for treble voices begins with a bell-like piano introduction before launching into the buoyant 6/8 strains of the body of the work. Jubilant rhythms dance over the underlying pul...
- Frauenchor (3-stimmig) und Klavier
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From the Mozart Missa Brevis K. 275, this delightful work has been adapted for treble voices. An excellent introduction to Classical era style and performance practice!
From the Mozart Missa Brevis K. 275, this delightful work has been adapted for treble voices. An excellent introduction to Classical era style and performance practice!
- Frauenchor (3-stimmig) und Klavier
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Opening andante espressivo over a ground bass, this deeply emotional setting of the Agnus Dei is infused with hopefulness and warmth. Together with the companion movements Kyrie and Gloria, this work...
Opening andante espressivo over a ground bass, this deeply emotional setting of the Agnus Dei is infused with hopefulness and warmth. Together with the companion movements Kyrie and Gloria, this work...
- Frauenchor (SSA) und Klavier
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- Hal Leonard
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Your singers will love rehearsing and performing this rhythmic celebration based on traditional African music. Layered vocal lines, call and response and the vitality of the congas, claves and djembe...
Your singers will love rehearsing and performing this rhythmic celebration based on traditional African music. Layered vocal lines, call and response and the vitality of the congas, claves and djembe...
- Frauenchor (SSAA) und Klavier
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- Hal Leonard
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Commissioned for the 2012 London Olympics, this work for treble chorus is primarily wordless, apart from the short Latin phrase "Gloria in Londinium, invictus, invicta" to symbolize the coming togethe...
Commissioned for the 2012 London Olympics, this work for treble chorus is primarily wordless, apart from the short Latin phrase "Gloria in Londinium, invictus, invicta" to symbolize the coming togethe...
- Gesang (hoch), Frauenchor (SSA) und Klavier
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- Hal Leonard
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Bright mixed meters, syncopation, hand claps and canonic imitation bring spirit and life to this accessible work for young and developing voices. The text from Psalm 150 is sung in accessible Hebrew a...
Bright mixed meters, syncopation, hand claps and canonic imitation bring spirit and life to this accessible work for young and developing voices. The text from Psalm 150 is sung in accessible Hebrew a...
- Frauenchor (3-stimmig) und Klavier
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This expressive anthem presents the story of the Nativity through Mary's eyes, but foreshadows the journey to the cross that is to come. It is set in a reflective minor tonality and a gently rocking 6...
This expressive anthem presents the story of the Nativity through Mary's eyes, but foreshadows the journey to the cross that is to come. It is set in a reflective minor tonality and a gently rocking 6...
- Frauenchor (SSA) und Klavier
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- John Purifoy
- Hal Leonard
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Blessed is he that comes in the name of the Lord. Set in an expressive 3/4 meter, the Latin text and carefully crafted vocal textures create a wonderful harmonic work. Ideal concert/festival use, it m...
Blessed is he that comes in the name of the Lord. Set in an expressive 3/4 meter, the Latin text and carefully crafted vocal textures create a wonderful harmonic work. Ideal concert/festival use, it m...
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Opening with a bright statement of the main theme with striking accents, dynamic contrasts and a pulsating rhythmic energy, this accessible work for treble voices transitions into a contrasting and mo...
Opening with a bright statement of the main theme with striking accents, dynamic contrasts and a pulsating rhythmic energy, this accessible work for treble voices transitions into a contrasting and mo...
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This selection by Baroque composer Johan Helmich Roman, adapted in this edition for treble voices, is recommended for festival and contest programming for choirs in middle school and high school, as w...
This selection by Baroque composer Johan Helmich Roman, adapted in this edition for treble voices, is recommended for festival and contest programming for choirs in middle school and high school, as w...
- Frauenchor (SSA) und Klavier
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- John Leavitt
- Hal Leonard
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This anthem challenges listeners to find their place in the world and to embrace their special calling. A song of the journey, this winsome poem is set to the well-known Welsh tune CYMRAEG and is ador...
This anthem challenges listeners to find their place in the world and to embrace their special calling. A song of the journey, this winsome poem is set to the well-known Welsh tune CYMRAEG and is ador...
- Frauenchor (SSA)
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- Stacey Nordmeyer
- Shawnee Press
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Composed when he was only 10 years old, Emile Serper wrote this about his composition: It is my hope that this setting of Ave Maria may have a positive impact and be shared in many ways. After I heard...
Composed when he was only 10 years old, Emile Serper wrote this about his composition: It is my hope that this setting of Ave Maria may have a positive impact and be shared in many ways. After I heard...
- Frauenchor (3-stimmig) und Klavier
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Introduce your treble choirs to the Baroque/Classical style of the Italian composer Baldassare Galuppi with this adagio movement filled with sorrowful descending lines and ardent suspensions. An excel...
Introduce your treble choirs to the Baroque/Classical style of the Italian composer Baldassare Galuppi with this adagio movement filled with sorrowful descending lines and ardent suspensions. An excel...
- Frauenchor (4-stimmig) und Klavier
- Chorpartitur Download
- Jill Friedersdorf Melissa Malvar-Keylock
- Hal Leonard
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Now available in SAB and SSA voicings, this exuberant Schubert piece begins with joyous acclamations in the opening measures, polyphonic writing and a lyrical presentation of the 'amens' then followed...
Now available in SAB and SSA voicings, this exuberant Schubert piece begins with joyous acclamations in the opening measures, polyphonic writing and a lyrical presentation of the 'amens' then followed...
- Frauenchor (SSA) und Klavier
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- Patrick M. Liebergen
- Shawnee Press
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Four movements from the end of the Passion section of Considering Matthew Shepard we hear from a deer. It has been well established that Matt loved the outdoors and it is fitting that a deer should si...
Four movements from the end of the Passion section of Considering Matthew Shepard we hear from a deer. It has been well established that Matt loved the outdoors and it is fitting that a deer should si...
- Frauenchor und Klavier
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- Hal Leonard
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When Leonard Bernstein wanted to cleanse his pallet he studied Haydn. This chorus from Haydn's Heiligmesse is an ideal introduction to classical style and a wonderful vehicle for you as the director t...
When Leonard Bernstein wanted to cleanse his pallet he studied Haydn. This chorus from Haydn's Heiligmesse is an ideal introduction to classical style and a wonderful vehicle for you as the director t...
- Frauenchor (SSA) und Klavier
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- John Leavitt
- Hal Leonard
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This beautiful and moving Hebrew prayer is one of the most beautiful in all of Jewish litanies. As we sing we ask God to treat us with charity and kindliness and save us!. This arrangement is lush and...
This beautiful and moving Hebrew prayer is one of the most beautiful in all of Jewish litanies. As we sing we ask God to treat us with charity and kindliness and save us!. This arrangement is lush and...
- Frauenchor (SSA) und Klavier
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- John Leavitt
- Hal Leonard
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Extracting two movements from the Baroque composer, Antonio Lotti's Requiem Mass, here are two authentic, Baroque anthems for treble choir. Intended to be performed as a pair, a piano accompaniment is...
Extracting two movements from the Baroque composer, Antonio Lotti's Requiem Mass, here are two authentic, Baroque anthems for treble choir. Intended to be performed as a pair, a piano accompaniment is...
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Sparkling with classical joy, this cheerful number gives choirs an approachable yet impressive anthem for general occasions. Using accessible contrapuntal devices, the piece has an old soul yet remain...
Sparkling with classical joy, this cheerful number gives choirs an approachable yet impressive anthem for general occasions. Using accessible contrapuntal devices, the piece has an old soul yet remain...
- Frauenchor (SSA)
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- Patti Drennan
- Shawnee Press
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The composer visits the angels' powerful peace on earth proclamation and delivers an anthem of joyous Glorias and whispered prayers for peace. Highly expressive, this anthem has much to engage the sin...
The composer visits the angels' powerful peace on earth proclamation and delivers an anthem of joyous Glorias and whispered prayers for peace. Highly expressive, this anthem has much to engage the sin...
- Frauenchor (SSA)
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- Shawnee Press
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- Frauenchor (SSA) und Klavier
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A truly dynamic interpretation of a wonderful French carol! Masters in This Hall, in its original form, is festive and full of life. This arrangement from Mark Hayes adds even more excitement! Unexpec...
A truly dynamic interpretation of a wonderful French carol! Masters in This Hall, in its original form, is festive and full of life. This arrangement from Mark Hayes adds even more excitement! Unexpec...
- Frauenchor (SSAA) und Klavier
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- Mark Hayes
- Shawnee Press
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Now available for SSA. This is an excellent example of Mozart's choral writing. Leavitt's editorial markings enhance the musicality of the work.
Now available for SSA. This is an excellent example of Mozart's choral writing. Leavitt's editorial markings enhance the musicality of the work.
- Frauenchor (SSA) und Klavier
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- John Leavitt
- Hal Leonard
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Accessible concert music with energy and excitement are the hallmarks of Rollo Dilworth's music. This is perfect for the concert stage or the sanctuary.
Accessible concert music with energy and excitement are the hallmarks of Rollo Dilworth's music. This is perfect for the concert stage or the sanctuary.
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Rhythmic and energetic are perfect adjectives for this original song by John Leavitt. The piano part stands alone but when the string bass and percussion are added this becomes a special moment in you...
Rhythmic and energetic are perfect adjectives for this original song by John Leavitt. The piano part stands alone but when the string bass and percussion are added this becomes a special moment in you...
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