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This Jubilate is rhythmic and fun to sing. Its forward momentum bursts with energy. Use this one for concert, festival or contest.

This Gloria is from Vivaldi's Dixit. It's up-tempo, fun to sing, and has much of the same musical flavor as Vivaldi's better known work. Sing it in English or Latin. A great work for contest or festiv...

John writes exciting material for the SATB ensemble and his 'Laudate! ,' in a neo-Baroque style, is challenging and fun. The Baroque-like rhythms will require clean articulation and constant drive to...

John writes exciting material for the SATB ensemble and his 'Laudate! ,' in a neo-Baroque style, is challenging and fun. The Baroque-like rhythms will require clean articulation and constant drive to...

From Mozart comes this delightful choral work appropriate for contest or festival use. Patrick Liebergen's English text is appropriate for use in both church and school. The music is characterized by...

Patrick Liebergen has provided us with a well-crafted edition from the final section of Vivaldi's setting of Psalm 147. This energetic chorus will add a joyous touch to any concert. Latin pronunciatio...

The Handel classic sung every year by millions of singers of all ages is now recreated in a very performable edition for younger and developing choirs. Sonja has carefully crafted the arrangement to c...

Patrick Liebergen has provided us with a well-crafted edition from the final section of Vivaldi's setting of Psalm 147. This energetic chorus will add a joyous touch to any concert. Latin pronunciatio...

The famous Schubert 'Kyrie' from his Mass in G is brought within reach of younger choirs in this superb edition from Russell Robinson. The key change together with the simplified accompaniment make it...

In our new Developing SATB Repertoire series, Russell Robinson has arranged an exciting edition of the famous Haydn ''Gloria'' from Heiligmesse. Introduce your developing choirs to great choral repert...

Dedicated to the 2000 Georgia All-State Middle School Mixed Chorus, this Latin text Gloria is beautifully arranged by Russ Robinson in a setting that is accessible to all choirs. The key has been lowe...

Dedicated to the 2000 Georgia All-State Middle School Mixed Chorus, this Latin text Gloria is beautifully arranged by Russ Robinson in a setting that is accessible to all choirs. The key has been lowe...

The driving rhythms and dynamic contrasts of the choral lines help to make this festival original a real winner. Ideal for concert, contest, or festival use, this choral by Carole Stephens works well...

The driving rhythms and dynamic contrasts of the choral lines help to make this festival original a real winner. Ideal for concert, contest, or festival use, this choral by Carole Stephens works well...

This very strong concert/festival work comes from the writing team that has brought us successful choral works for over a decade. It's easy to sing yet substantial enough that any choir would love to...

As the title indicates, this work will be a remarkable addition to any festival or concert performance. Carole Stephens' knack for creating contemporary original works continues with this wonderful ne...

This original concert work provides a showpiece for your women's choir. It's been performed on concerts and festivals around the world. A welcome addition to the concert choral repertoire.

Offertorium ''In die solemnitatis'' für Solo-Sopran, gemischten Chor und Orchester Solo/Chorpartitur

Dies ist der Klavierauszug für SATB-Chor mit Klavierbegleitung zum Werk "Ave Jesus, Gottes Sohn". "Ave" - "sei gegrüßt" rückt die Ehrung Jesu als Begleiter und Trostspender in den Fokus. Die Klavierbe...

Kantate zum 2. Ostertag. Urtext der Neuen Bach-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gem-Ch-SATB, Oboe (2), Oboe-Picc, Streicher, Basso continuo - Klavierauszug

Kantate zum 8. Sonntag nach Trinitatis. Nach dem Urtext der Neuen Bach-Ausgabe. Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Flöte (2), Oboe (2), Fagott, Streicher, Basso continuo

Nach dem Urtext der Neuen Bach-Ausgabe. Sopran solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Fagott, Violine (2), Viola (2), Violoncello/ Kontrabass/ Basso continuo, Orgel

Mit Martin Luthers Adventslied "Nun komm, der Heiden Heiland", einer Verdeutschung des altkirchlichen Hymnus "Veni redemptor gentium", hat Bach zwei seiner Kantaten eröffnet, deren eine in die Weimare...