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High school choral director, Jonathan Adams, has composed a number of beautiful a cappella pieces. This setting of Ecclesiastes 3:11 contains those yummy suspensions and cadences that choirs yearn for...

In only a few short years Richard Burchard has become recognized as one of the new, great choral composers in America. His sonorities are often thick but always rich and satisfying. His melodies are m...

Sing a new song is the translation of this song's Latin text and appropriate in this minimalistic setting. The short motives pulsate with energy, building in dynamic chord clusters and vibrancy. A gre...

This fabulous Christmas piece rings with energy and joy. Ripe with antiphonal qualities, the piece opens with a brief fanfare and proceeds to celebrate the season. A wonderful holiday concert opener f...

A setting from the Song of Songs (or Song of Solomon), Kumi Lach is a challenging piece from several perspectives. The piece is contrapuntal so the individual parts will offer your choir a unique chal...

Premiered at the NCCO conference in 2012, this beautiful meditative piece was commissioned by John Byun and is part of his new choral series. Rich in tone color with thick harmonic writing the text ca...

Jonathan Talberg's choral series has produced a library of excellence for the advanced a cappella choir, and this latest entry is a beauty. Richard Burchard tends to write in a density that is thick a...

This sacred text focuses on the crucifixion, but this is a concert work, displaying a treatment of ancient liturgy with beauty and emotion. Good high school and college male voice choirs.

When a choral publication becomes a hit, everyone wants to be able to sing it. Following in the footsteps of Rosephanye Powell's original a cappella setting comes this new treble voice edition. The Jo...

Uses: Easter Scripture: Luke 24:2-3; Acts 4:33; I Peter 1:3 Teeming with gospel goodness, this unaccompanied gem is a charming change for Resurrection Sunday. The infectious call and response format c...

mit deutscher singbarer Übersetzung „Ich habe es nach reinem Herzensdrange komponiert”, schrieb Bruckner über seine 1892 entstandene letzte kleine Kirchenkomposition.