Geistliche Musik Noten

Who doesn't remember musical moments in their past, when singing became transcendent and the moment became a memory never to be forgotten? Henry Van Dyke's poem recalls that time and Matthew Emery, th...

Cantate Domino means sing a new song to the Lord, and this composition truly embodies its meaning. Beginning in 7/8, the opening motif is a short statement in Latin, then English, that establishes the...

Includes: 1. Lift My Eyes (Psalm 121) * 2. Your Holy Mountain (Isaiah 56:7) * 3. Come Ye and Let Us Go Up (Isaiah 2:3-4) * 4. And It Shall Come to Pass (Isaiah 65:24-25).

Nick Page strikes again with a dynamic, uplifting unaccompanied tune beginning to be performed by your ensemble for Chanukah! Choirs will have lots of fun with this lively, intense setting of the Hebr...

Uses: Concert, General Scripture: Matthew 7:13-14; Revelation 7:13-17 A vocal tour de force, this arrangement of the traditional spiritual is overflowing with unbridled joy! A pivotal solo moment invi...

Uses: Concert, General Scripture: Matthew 7:13-14; Revelation 7:13-17 A vocal tour de force, this arrangement of the traditional spiritual is overflowing with unbridled joy! A pivotal solo moment invi...

This prayer for God to hear our cries for mercy is based on Psalm 98. Its many expressive moments, alluring suspensions and assuring cadences, lift the text magnificently forward. Turning from minor t...

Uses: General, Thanksgiving Scripture: I Chronicles 16:8; Psalm 28:7; Colossians 3:15-17 A fresh take on a favorite praise and worship evergreen! The distinctive chord progression of this well-known c...

Orlando di Lasso was a Franco-Flemish composer of the late Renaissance known for his mature polyphonic style. Equally adept in many languages and both sacred and secular forms, his compositions remain...

Orlando di Lasso was a Franco-Flemish composer of the late Renaissance known for his mature polyphonic style. Equally adept in many languages and both sacred and secular forms, his compositions remain...

A new setting of the Latin Ubi Caritas text. Sustained passages and nice homophonic writing allow for reflection of the text and exploration of tone and blend. A good teaching piece and a great additi...

The opening section of Fauré's beloved Requiem could easily be considered a classic. Conductor and former Chanticleer singer Sanford Dole has done something miraculous and incredible - he has arranged...

Commissioned by the Iowa City West Singers and performed at the North Central ACDA 2014, this selection received rave reviews. The sacred text of Isaac Watts makes it fitting for the church but it is...

Commissioned by the Iowa City West Singers and performed at the North Central ACDA 2014, this selection received rave reviews. The sacred text of Isaac Watts makes it fitting for the church but it is...

The text can stand easily on its own as one of the greatest poems by Fred Pratt Green. Jonathan Rodgers has set it to the Welsh folk tune (best known as All through the Night) with such superb craftsm...

The text can stand easily on its own as one of the greatest poems by Fred Pratt Green. Jonathan Rodgers has set it to the Welsh folk tune (best known as All through the Night) with such superb craftsm...

Brian Tate is a master at creating a new song that sounds seasoned in time. Equally amazing is how natural the vocal parts are - almost singing themselves. Gather at the River reminds us of a hymn but...

Brian Tate is a master at creating a new song that sounds seasoned in time. Equally amazing is how natural the vocal parts are - almost singing themselves. Gather at the River reminds us of a hymn but...

Mixed choruses and chamber ensembles will frequently use and enjoy this collection of English madrigals, selected and edited by former King's Singer Philip Lawson. Selections include: Sweet Suffolk Ow...

Kane Bradley is a Junior and Senior high choral director and a relatively new composer on the scene. His De Profundis employs minimalism and contemporary harmonies that are quite compelling. He builds...

Memley has set this thoughtful 19th century Barnes' poem in a contemporary madrigal style. Pensive moments cadence on stunning chords, gentle dissonances provoke the listener's ears, woven together in...

Enjoy the contrapuntal textures and fluid lines of the High Renaissance in this 16th century masterwork by the Spanish composer Tomas Luis de Victoria to the text from Isaiah 53. Duration: ca. 3:20.

Here is a work with unusual clarity and sonority, perfect for a smaller ensemble or for madrigal singers. While written in simple four-part, this work still demands working with the details of this be...

Using driving recurring rhythms and themes sung in jubilant homophony, this song is perfect for high school and beyond and is well suited for festival use. A carefully crafted, lively selection for an...