Gemischter Chor a cappella Noten

The power and spirit of the unadorned voice shines in this newly composed a cappella spiritual. Set in a classic call and response format, the song leaps from the page with vibrant confidence. A scrip...

This work, using adapted words by one of Canada's most treasured poets, Archibald Lampman, underscores the urgent need for us all to be respectful and mindful of the fragility of mother earth, which g...

This work, using adapted words by one of Canada's most treasured poets, Archibald Lampman, underscores the urgent need for us all to be respectful and mindful of the fragility of mother earth, which g...

This is a fun, easy to learn a cappella piece that any mixed choir will enjoy. The use of hand percussion, including claps, snaps, and thigh slaps, add a very unique and amusing element. Everyone enjo...

This is a fun, easy to learn a cappella piece that any mixed choir will enjoy. The use of hand percussion, including claps, snaps, and thigh slaps, add a very unique and amusing element. Everyone enjo...

This powerfully descriptive piece by Paul Doust uses programmatic musical elements that mirror the lyrics. The text is an anonymous, Gaelic blessing with poetic words and images. Paul's setting is fre...

Seven variations on an old Ashkenazic folk song for children. Text by L. Kipnis. For SATB choir and solo voice a cappella, in Hebrew.

Text from Psalm 121. For SATTB A Cappella.

Song of Solomon 1:1-2, 3:2, 8:14. Based on Lithuanian cantillation. For SAATB, Rehearsal Keyboard.

Lyrics by Steven Brown. 'You were just names to us, on a long journey, you were just names to us, on the troubling journey. ' For SATB a cappella, Rehearsal Keyboard.

The Alice Parker Choral Series. Text by Dunash ben Lavrat. To those who enlighten and those who enlightened, give abundant peace like the waters of a stream. For SATB a cappella. Rehearsal piano part...

The Alice Parker Choral Series. Text by Y. Sheinburg. Rise up, let's go, rise up, Comrades, return! For SATB a cappella. Rehearsal piano part included.

The Alice Parker Choral Series. Text by Y. Sheinburg. Rise up, let's go, rise up, Comrades, return! For SATB a cappella. Rehearsal piano part included.

NEW! Written for the 2000 Convention of the American Guild of Organists, An American Kedushah is a monumental piece. Working closely with Eleanor Epstein, conductor of the Zemer Chai Chorale of Washin...

NEW! Written for the 2000 Convention of the American Guild of Organists, An American Kedushah is a monumental piece. Working closely with Eleanor Epstein, conductor of the Zemer Chai Chorale of Washin...

The classic arranged for a fun SATB (a cappella)

A stunning melody by Smolover and choral arrangement by Kroll-Rosenbaum, set to a poem written by an anonymous author at Terezin concentration camp.

Some hallmarks of an excellent choral arrangement are sensitivity to the text, singing lines for each of the vocal parts, and variation in texture. Zuckerman's arrangements are so good, they almost si...

Some hallmarks of an excellent choral arrangement are sensitivity to the text, singing lines for each of the vocal parts, and variation in texture. Zuckerman's arrangements are so good, they almost si...

Includes: 1. Lift My Eyes (Psalm 121) * 2. Your Holy Mountain (Isaiah 56:7) * 3. Come Ye and Let Us Go Up (Isaiah 2:3-4) * 4. And It Shall Come to Pass (Isaiah 65:24-25).

Includes: 1. Lift My Eyes (Psalm 121) * 2. Your Holy Mountain (Isaiah 56:7) * 3. Come Ye and Let Us Go Up (Isaiah 2:3-4) * 4. And It Shall Come to Pass (Isaiah 65:24-25).

Nick Page strikes again with a dynamic, uplifting unaccompanied tune beginning to be performed by your ensemble for Chanukah! Choirs will have lots of fun with this lively, intense setting of the Hebr...

Just in time to celebrate the iconic Max Janowski's centennial year! This piece has been a beloved and often-heard classic for years, but this new version, for solo voice with unaccompanied double cho...

Thomas Tallis (1505-1585) was equally at ease composing simple settings of English texts, and more florid Latin motets, as the examples in this collection show. Includes: Hear the voice and prayer; If...

Thomas Tallis (1505-1585) was equally at ease composing simple settings of English texts, and more florid Latin motets, as the examples in this collection show. Includes: Hear the voice and prayer; If...