Gemischter Chor mit Klavier

Beautiful octavo with clarinet and keyboard accompaniment, text based on 1 Peter 4:8-9

A sweet setting of the favorite text for SSAATB and piano and flute, contains a small optional spoken part.

A new and somewhat contemporary treatment of the 19th century hymnA flute obligato adds mystic elements

This arrangement for choir, keyboard, and congregation is sure to send chills up the spine!

Perfect for music ministry Sunday, any type of dedication or covenant service, or even for stewardship or missions, this work is scored for multiple voices with handbells and optional brass. A real wi...

Final chorus from Vivaldi's Beatus VirAlso available: Beatus Viv (HMC177), Paratum Cor Ejus (HMC180), and In Memoria In Aeterna (HMC179).

This carol scored for choir with piano and percussion accompaniment gives this carol a new contemporary feel. It is not particularly difficult and would be successful with high school and church choir...

A fairly easy secular piece containing nice counterpoint written for three-part choir (adults and/or children), with piano four-hands, string bass, trumpet, and percussion. From the Accent On Youth se...

This traditional German tune is set with the quality craftsmanship of master arranger Eugene Butler. Try it during your lessons and carols service.

Incorporating the tune Lancashire and the text lead on O King Eternal, this powerful anthem is suitable for either Christ the King Sunday or Palm Sunday.

Cincinnati composer Howard Helvey has skillfully set this George Herbert text for mixed chorus with piano and optional flute or clarinet. Try it on Christ the King Sunday.

McCullough is conductor of the Washington D. C. Master Chorale and often composes for his own chorus. This traditional holiday work with harp accompaniment is a true winner!

Try this work to open your festival of lessons and carols. Note the very simple part for handbells and finger cymbals.

British composer Stuart McIntosh gives us this lovely partsong on a text by John Burroughs, it contains lovely solos for soprano and tenor.

The southern folk harp tradition is full of inspirational melodies. Here, Jonathan Shippey sets one of these melodies for two-part mixed voices with piano and optional hammered dulcimer (though it wor...

Sandra Ford is masterful with a melody. Here, she sets text from Acts and Romans for mixed chorus with keyboard and optional violin or flute. The choral textures are varied throughout and the lovely m...

British composer David de Warrenne has arranged this traditional Maori work for mixed voices and piano. This piece would make a marvelous graduation anthem.

This work for mixed chorus with keyboard and flute (or any C instrument) takes the traditional Catherine Winkworth text and sets it to a new and vibrant melody. Of course, the piece is great for Thank...

There are many uses for this text-thanksgiving, earth day, or general use. Set for mixed voices with keyboard and C instrument, it would also make an excellent communion anthem.

Though this work for mixed chorus with piano and oboe was composed for a secular concert setting, Gwen Hall tells us that the piece 'could support several scriptural texts in worship'. Try it in a con...

Based on the hymn tune Dix, this concertato is set for mixed choir with keyboard, optional handbells and violin. Opening in unison for all voices, additional verses include a variety of choral texture...

Looking for a wonderful graduation anthem? This is it. Scored for mixed chorus with piano and optional cello, the beautiful melody and interplay of vocal textures will keep your singers engaged in an...

This work for mixed chorus with piano and oboe celebrates the differences found within the human family. Whether for concert, graduation, or celebrating our diversity, try this piece with high school...

Tom Shelton (Westminster Choir College) has arranged this beautiful Italian aria by Giovanni Battista Fasolo for middle school mixed (SAB) voices with piano and flute. Also available for TTB (HMC2295)...

The text by Charles Anthony Silvestri traces the formation of a bell: bronze, mined from earth, first formed into weapons of war, then melted down and recast as a bell to toll for vespers, and eventua...