Gemischter Chor mit Klavier

Geoffrey O'Hara's I Walked Today Where Jesus Walked for SAB chorus with Piano or Organ accompaniment. This work is a setting of a poem by Daniel S. Twohig.

Virgil Thomson's The Jumblies for SATB choir with Soprano solo and Piano accompaniment. This composition is one movement of a larger work entitled 'Cantata on Poems of Edward Lear'. The completework...

Virgil Thomson's The Akond Of Swat for SATB choir with Baritone solo and Piano accompaniment. This composition is one movement of a larger work entitled 'Cantata on Poems of Edward Lear'. Thecomplete...

This is a bold reimagining of Hildegard's chant, both tune and text. Actively quoting the source material, DiOrio's setting takes Hildegard's music as a launching point from which to imagine new sonic...

This setting of three stanzas from 'For the Fallen' is poignant and atmospheric. A serene refrain for unison voices is interposed between evocatively turbulent passages for SATB choir. The accompanime...

This is a beautiful setting of an English translation of one of Horace's Odes. Varying choral textures, crunchy harmonies, and a rippling piano accompaniment complement the text's imagery of nature an...

This is a beautiful setting of an English translation of one of Horace's Odes. Varying choral textures, crunchy harmonies, and a rippling piano accompaniment complement the text's imagery of nature an...

The choir acts both as a singing group and as a drumming group, spinning sung rhythmic patterns into a buoyant accompaniment to the sung text. As the piece progresses, foot-stomping and hand-clapping...

Here is perfect material for youth choirs on the look-out for something that is both light-hearted and sophisticated. The delicious words of the original 17th-century love poem have been cleverly subv...

For SATB, 2 flutes, and harp or piano OR SATB, 2 flutes, 2 oboes, strings, harp or piano. A charming arrangement featuring flutes, this is perfect for even the smallest of choirs.

This vibrant collection presents five jazzy settings of poems from William Blake's Songs of Innocence. Chilcott challenges the listener's expectations by setting each classic text in a different jazz-...

This tender and affectionate setting of the well-loved poem of the same title by Robert Burns was written specifically for a wedding, but would suit almost any occasion.

This Marian piece opens with an extended soprano passage, underpinned by soft yet characterful organ writing. Several hallmarks of Jackson's style are evident, including soaring, melismatic soprano li...

No. 1 of McDowall's 'Three Latin Motets', Ave Regina is a gentle and lyrical setting of the text 'Hail, Queen of the Heavens'. The calm and memorable opening phrase is hinted at in passages of more in...

Inspired by a 16th-century Scots text, Jackson has composed a memorable carol full of character and beauty. The choir is serenaded throughout by the organ, which imitates the haunting qualities of the...

A rich texture is used in Gombert's setting of Quam pulchra es, with all voices singing almost all of the time. This texture is created through refined imitative contrapuntal writing, rather than homo...

A beautiful 6-part unaccompanied Marian motet written for the Marian Consort. The work combines reminiscences of Renaissance settings of this text with McDowall's distinctive contemporary voice.

Patriotic and fun! Greg Gilpin's creative partner song combines singers and kazoos on two well-known, flag-waving favorites. A rousing crowd-pleaser!