Gemischter Chor mit Klavier

A chorus from Alexander's Feast.

Here is perfect material for youth choirs on the look-out for something that is both light-hearted and sophisticated. The delicious words of the original 17th-century love poem have been cleverly subv...

For SATB, 2 flutes, and harp or piano OR SATB, 2 flutes, 2 oboes, strings, harp or piano. A charming arrangement featuring flutes, this is perfect for even the smallest of choirs.

This vibrant collection presents five jazzy settings of poems from William Blake's Songs of Innocence. Chilcott challenges the listener's expectations by setting each classic text in a different jazz-...

This tender and affectionate setting of the well-loved poem of the same title by Robert Burns was written specifically for a wedding, but would suit almost any occasion.

This Marian piece opens with an extended soprano passage, underpinned by soft yet characterful organ writing. Several hallmarks of Jackson's style are evident, including soaring, melismatic soprano li...

A setting of the Mass in Latin, written for the Truro Cathedral Choir.

No. 1 of McDowall's 'Three Latin Motets', Ave Regina is a gentle and lyrical setting of the text 'Hail, Queen of the Heavens'. The calm and memorable opening phrase is hinted at in passages of more in...

The Marian motet Alma Redemptoris Mater is one of two settings of this text composed by Josquin and possibly one of his earlier compositions. This setting is based upon the corresponding chant and ope...

Cecilia McDowall's fresh and appealing style is amply displayed in this cycle, subtitled 'Three Shakespeare Songs'. In total, six Shakespeare texts are used, and McDowall's response encompasses a flee...

The Parting Glass is a traditional Scottish song, often sung as a farewell at the end of a get-together. With its valedictory message, it would make a fitting end to a performance, perhaps as an encor...

The text is a set of six poems by John Drinkwater (1882-1937). Drinkwater had close associations with Warwickshire and much of his poetry reveals his love of the countryside. The first and last of six...

Inspired by a 16th-century Scots text, Jackson has composed a memorable carol full of character and beauty. The choir is serenaded throughout by the organ, which imitates the haunting qualities of the...

A rich texture is used in Gombert's setting of Quam pulchra es, with all voices singing almost all of the time. This texture is created through refined imitative contrapuntal writing, rather than homo...

A beautiful 6-part unaccompanied Marian motet written for the Marian Consort. The work combines reminiscences of Renaissance settings of this text with McDowall's distinctive contemporary voice.

Patriotic and fun! Greg Gilpin's creative partner song combines singers and kazoos on two well-known, flag-waving favorites. A rousing crowd-pleaser!

Gemischter Chor (SATB) und Klavier oder Akkordeon.

Gerard Manley Hopkins 1844 - 1889 Gottes Größe Die Welt ist aufgeladen mit der Größe Gottes. Sie wird aufflammen, wie Glanz aus geschüttelter Folie; Sie sammelt sich zu einer Größe, wie zu Öltropfen z...

Besetzung: SAB, Solist oder kleine Gruppe, Klavier ad lib. & Instrumentalsolo Eine neue Version eines der populärsten Chorwerke des lettischen Komponisten Eriks Ešenvalds. Um das Werk einem breiteren...

This stunning composition uses the idea of the Igbo word 'Amara' which means 'grace. ' The idea of this work is to breathe together - to be aware of others and how we fit together in this world. Highl...

Archer's jubilant setting of a traditional Polish text (in translation) features changing metres, textural contrasts, and compelling shifts between major and minor. Strophic in form and with a catchy...

Thomas Weelkes' famous madrigal in an accessible SAB edition, with optional percussion (hand drum or tambourine), providing additional rhythmic security for developing ensembles and adding a dance-lik...