Gemischter Chor mit Klavier

The title says it all. It's an upbeat, driving ragtime choral extravaganza that's fun to sing and will add some real style to any concert. Use of the pre-recorded track or live instruments with the In...

Oseh Shalom oder Gebet für den Frieden vertont die Worte eines alten hebräischen Gebets in einer originellen Chorvertonung des Musikpädagogen Victor Bobetsky. Das Stück ist für gemischten Chor, einen...

Latin and English texts. Available: SATB Double Choir - Vocal Score.

Available: SATB Double Choir, Instrumental Parts.

Latin and English texts. Available: SATB Double Choir.

Oboe part to Credo HL08501405 / WW1266; for use with piano, oboe & SATB chorus rendering.

This bold and jubilant setting of the Sanctus text will be an energetic contribution to your concert program. Rhythmic drive, accessible, contemporary harmonies and full vocal textures create a winnin...

For general use, adapted from Psalm 51

Donald McCullough is both a church musician and conductor of the Master Chorale of Washington, D. C. He writes equally well for both large and small forces. This church anthem, with texts from Isaiah...

Hank Hinnant brings us another winner for the small church choir. For general use, Pentecost, Christ the King, or almost any festive occasion, works well with or without the C instrument.

This work was originally scored for SATB voices (HMC1838) but it is available here for SAB voices with piano and trumpet, try the work for Christ the King Sunday, Pentecost, or Trinity Sunday.

A sacred/concert setting from second Peter for narrator and advanced chorus

From our Baptist Festival Singers Choral Series comes this accessible piece for youth choirs. Based on Psalm 25, it features a thoughtful prayer and a spirited lleluia section.

An easy-to-learn Alleluia setting by Jay Althouse for your developing choir. Highlighted with comfortable ranges and simple harmonies, this is an excellent choice for an additional selection that won'...

Patrick Liebergen has taken this majestic canon by Giovanni Paisiello, added a traditional Latin text, and adapted it for 3-part mixed or treble choirs while retaining the essential classical qualitie...