Gemischter Chor mit Klavier

Hier ist eine nicht allzu gruselige Neuheit, perfekt für Halloween! Seine leichte Erlernbarkeit in Kombination mit seiner lustigen Schrägheit machen es zu einem Gewinner für Ihre Frühherbstkonzerte. S...

This heartfelt Mexican folksong features altos for much of the melody, a strumming piano accompaniment (or harp), glistening women's glissandi and a soaring soprano solo descant. In Spanish.

Need a 'winter-time' piece for your SSA or 2-part treble choirs? This lovely work by Ruth Elaine Schram fits the bill perfectly. The 'echo' style makes for quick and easy note learning, yet sounds won...

It has hints of Africa, as well as the Caribbean. Certainly, Bethlehem Hallelu has its roots in the African Diaspora. It's rhythmic and melodic, in a walking tempo wich anchors the piece as it builds...

Jay Althouse follows up his cross-cultural ¡Cantar! with another exciting choral work in Afro-Cuban style. The text (mostly in English, except for two brief Spanish phrases) reminds us that music is e...

From the first shimmering chords of the introduction to the final flourish of an uplifting descant, this artistic song paints an acoustic picture. Poetic words, progressive harmonies, and a piano part...

A testament to the bond of friendship, Amy Bernon's tender message is conveyed beautifully through a limited-range melody, designed especially for developing choirs. Near the end, independent vocal pa...

Over 100 years after his death, this beloved text from Folliott S. Pierpoint lives on in a gorgeous new choral setting. Greg Gilpin's artistry and skill shine through as each voice part takes a turn w...

Stephanie Mabey's uplifting lyrics ask each of us to consider our own unique place in life's symphony. A gorgeous piano accompaniment supports the sweeping voice parts, which are well suited to choirs...

Everybody's Favourite Series No. 67. Eighty-three songs suitable for quartet or chorus, male or mixed voices. Guitar chords are added where appropriate. Includes 'All Through The Night', 'Little Brown...

Arranged for SATB Choir and Piano by Kirby Shaw.

The Vision Of Cleopatra was composed by Havergal Brian with words by Gerald Cumberland. The work is a tragic poem for Orchestra, Soli and Chorus, but this is the Vocal Score. A performance of the enti...

Dieses hübsche Arrangement bietet eine schöne, fließende Begleitung zu einer bereits geliebten Melodie. Connor Warren Smith hat diesem Klassiker neues Leben eingehaucht, und der unerwartete und schöne...

With Piano reduction of Orchestral Score by Bruce Howden.

für SATB und Klavier arrangiert von Gwyn Arch

für SATB und Klavier arrangiert von Gwyn Arch

Der Salento, die südlichste Region Apuliens am Absatz des italienischen Stiefels, besitzt eine überaus reiche, lebendige Musiktradition. Diese Musik ist vielfältig, melodisch einprägsam, voller Kraft,...

Utilizing handbells, SATB choir and praise band, Arnold Sherman brings both traditional and contemporary elements together in this dynamic new setting of Brian Doerksen's popular praise and worship so...

For SATB and piano or chamber orchestra. A celebration of singing in all its various forms, using a diverse assortment of texts. The seven short movements include items for upper (or children's) voice...

Rhythmic and bright, this energetic anthem gives glory and praise to the Lord with joyous abandon. A Jubilant Song is really self-explanatory. With lively but accessible syncopation, driving accompani...

Arranged for SATB Choir and Piano by Hawley Ades.

This romantic classic from the 1944 Hollywood musical Show Business regained enormous popularity when Harry Connick, Jr. recorded it for the hit 1989 movie, When Harry Met Sally./

This Gershwin classic has been recorded by major recording artists for decades. Kirby Shaw's exceptional arrangement captures this classic american song in all its glory. If it's not in your library,...