Gemischter Chor mit Klavier

Sara Teasdale's poem, The Mystery, depicts deep lasting love - 'Your eyes drink of me' and 'We have long been lovers'. It also raises a question - 'Can I ever know you / Or you know me?' Stephen Chatm...

The opening line of Sara Teasdale ™s poem, After Love, -There is no magic any more, establishes the theme of vanishing love. Stephen Chatman ™s setting of the poignant text, in the dark key of D flat...

This piece is a fast, joyous outburst. The initial lines, 'I am wild, I will sing to the trees' set the jubilant tone. The perpetual motion of the syllabic step-wise vocal lines is punctuated by stacc...

The texts for this set of three songs are mostly from the 19th century, but the sentiments are ageless. The special imagery in each of the poems finds its way into the musical setting. Evening Song fe...

Part of the collection Love Shall Live Forever. 'She Walks in Beauty' begins with a piano introduction allowing time to enter the poetic world of Lord Byron. A simple melody is accompanied by steady,...

The text by Edna St. Vincent Millay, speaks of a youthful all-night adventure riding the ferry back and forth with no destination in mind. There is much back-and-forth in the musical setting, to a swa...

From a three-part collection based on poetry by American pioneers, this third piece, 'A Hoopla, ' depicts a barn dance and vocalists circle round the instruments, stomp, clap, and generally perform wi...

Sopran solo, Gemischter Chor, Orgel (Klavier) - Chorpartitur

Als ruhige, meditative Vertonung eines gregorianischen Gesangs schafft dieses Werk eine sich wandelnde, schwerelose Harmoniefolge, die der Ausgangsmelodie den organischen Fluss verleiht, den sie von N...

Compiled from Facebook updates, includes piano rehearsal part (Commissioned by the Australian Voices) 'The Facebook Song' ist eine witzige und mitreißende Satire auf die Welt der Social Media, deren T...

Commissioned by the Australian Voices.

Version for SAB Choir with Piano accompaniment as arranged by the composer. Text by Genevieve Taggard.

Handel's famous Hallelujah Chorus from his Oratorio the Messiah, arranged for SAB choir and Piano accompaniment by Carl Deis.

For SAB Choir and Piano.

When I Was One And Twenty is the third song in the cycle Three Songs From A Shropshire Lad. It is arranged here for SAB Chrous and Piano accompaniment.

Nach der Morgenstimmung aus der 'Peer Gynt-Suite'. Besetzung: SATB, Klavier.

N.e. am. Volksweise (Shanandoah). Besetzung: SATB, Klavier.

Chanson gesungen von Particia Kaas. (Patricia Kaas). Besetzung: SSAM, Klavier, Trompete. Begleitung: Klavier, Trompete

Text: deutsch (3 Str.) afrikanisch (1 Str. ad lib). afrikan. Liebeslied (dt. u. orig.-Text). Besetzung: SATB, Klavier (auch acap.).

Chor, Bläser (Klavier)