Gemischter Chor mit Klavier

John Rutter's rousing drinking song Good Ale, which was originally published as part of his cycle of six choral settings with small orchestra When Icicles Hang, is full of spirit and character. An acc...

Written for the 2016 'Requiem to Cancer' event at St Paul's Church, Covent Garden, Now is the Time sets hopeful and inspirational words by Marie Curie. McDowall's setting is optimistic and appealing,...

This short, energetic piece sets words by contemporary hymn-writer Mary Louise Bringle. The text is full of positivity and hope, and Wilberg's use of a 7/8 time signature keeps the verses propelling f...

A favorite text and tune of singers and listeners alike, this festival hymn is given new life in this upbeat 7/8 setting. The central section is legato and chorale-like, making for a beautiful contras...

This original suite sets anonymous instructions found in packaging to general household goods, providing amusing and theatrical highlights as well as musical interplay and formal episodes. The three c...

A calm and solemn piece with simple harmonies, supporting piano accompaniment, and reflective text. Suitable for choirs of all levels it allows for a moment of quiet reflection during mass or a busy c...

This upbeat and exuberant arrangement of a classic American folk song is a real show-stopper. Chilcott combines easy but highly effective SATB textures with a straightforward piano accompaniment to ev...

Wilberg's gentle, touching setting of a Catalonian carol has his typically straightforward but very effective choral writing. Material is available on hire.

Don't forget tomorrow is an uplifting encore-style piece ideal for college and community choirs, with independent parts during the verses and a catchy chorus in harmony - all supported by an infectiou...

Written in memory of John Scott, the celebrated organist and choirmaster, who died in 2015, The Real of Heart is a beautifully tender and reflective piece. The anonymous text reminds us to remember th...

This original suite sets anonymous instructions found in packaging to general household goods, providing amusing and theatrical highlights as well as musical interplay and formal episodes. The three c...

This is a beautiful setting of an evocative poem by Emily Dickinson that explores the symbolization of hope as a bird. Quartel offers soaring melodic lines, rich harmonies, and a fluttering accompanim...

A hoe-down in party mood. No. 1 of Three American Lyrics

A short and simple anthem which is full of hope and warmth.

This enticing choral arrangement of the well-known first 'Polovtsian Dance' from Borodin's Prince Igor juxtaposes the music of a Russian Romantic with text from Act 4 of The Tempest - 'Our revels now...

This gentle song is taken from the song cycle 'Songs for Seven Storeys', which Bob Chilcott wrote to celebrate the opening of the New Evelina Children's Hospital on London's South Bank. With a singabl...

John Rutter sets this timeless and beloved text from Ecclesiastes with a gently flowing melody. The result is a simple and lovely general anthem that perfectly encapsulates the paired images of the te...

This captivating carol with words by Kevin Crossley-Holland features satisfyingly rich harmonies and a rippling piano accompaniment that draws inspiration from the water imagery of the text. In the mo...

Wilberg sets the Eleanor Farjeon text to the traditional Gaelic melody in 9/8 meter. Against a lightly bouncing accompaniment, the women and men alternate singing in unison, until they join in verse t...

This setting of a traditional Irish melody captivates audiences, especially in the second verse when the men carry the melody while the women sing a canonic descant. Voices subsequently join in homoph...

A wonderful processional, Wilberg's Bring a torch, Jeanette, Isabella is a joyful carol. A catchy, brightly articulated countermelody distinguishes this from other settings. The women sing alone, then...

An original setting of this well-loved text, with a limpid tune and a gorgeous piano accompaniment, easily adaptable to the organ. An orchestration for two flutes, strings, and organ is available on h...

This is the second piece in Wilberg's Dances to Life. The percussion simulates the solemn toll of the bells, calling the end to life.

For SATB, piano 4 hands and optional percussion (glockenspiel, vibraphone/suspended cymbal, bass drum). The third and final movement of Dances to Life. The vocal writing and keyboard accompaniment cre...