Gemischter Chor mit Klavier

Guitar part for James Whitbourn's setting of a powerful poem by John Henry Newman for mixed voices.

A gentle setting of Psalm 84 taken from John Rutter's larger work Psalmfest.

A Prayer of St Columba is an expressive and emotive anthem with appealing, arching melodies underpinned by a sparkling organ part. Also available in a version for SAB and organ or piano in The Oxford...

A Prayer of St Columba is an expressive and emotive anthem with appealing, arching melodies underpinned by a sparkling organ part. Also available in a version for SAB and organ or piano in . The Oxfor...

First published in My Song in the Night (2009), this is a spirited arrangement of the traditional melody. The piano duet accompaniment provides a folk-like rhythmic underpinning, and the piece ascends...

Horatius Bonar's well-known hymn Beloved, let us love is a perfect text for wedding services, expressing the belief that it is only through loving others that we can know God's love for us. Bullard's...

This setting of St Benedict's 6th-century prayer begins with a gentle recurring figure in the keyboard, building to a rousing climax. The primarily homophonic texture allows the timeless text to shine...

How excellent is an upbeat and celebratory work setting the composer's own paraphrase of Psalm 8. It features exciting and declamatory opening and closing sections with a contrastingly calm and legato...

Opening out from a lyrical exchange between unison lower and upper voices, this anthem is based around a John Tauler poem rich in metaphorical language that reflects on the protagonist's relationship...

This uplifting setting of words from Psalms 24 and 118 is bold and energetic, whilst still easy to prepare. Passages for unison voices flower into harmony over a supportive accompaniment for piano or...

Epiphany takes for its text a translation of two verses by French hymn-writer Charles Coffin, augmented by a newly written verse by Chilcott's long-time collaborator Charles Bennett. The result is a c...

This Easter carol is based on J. M. Neale's translation of the Latin Piae Cantiones and occupies a captivatingly exotic soundworld. Sheehan's setting is in strophic form, with a texture that builds fr...

In his setting of this German hymn, Rutter keeps the voices largely in rhythmic unison, skilfully bringing variety through changes of timbre and dynamic. The piece is part of a collection of hymn arra...

A gentle setting of Psalm 84 taken from John Rutter's larger work Psalmfest.

This exquisite arrangement of an American folk hymn will be a universal favourite with choirs of all ages and levels. The atmospheric tune is perfectly offset by the floating instrumental counter-melo...

From the collection Anthems for SA and Men, 'Praise ye the Lord, ye heavens adore him' is a spirited anthem scored for SA & men with piano/organ. The text is based on Psalm 148 and is suitable for per...

First published in New Oxford Easy Anthem Book, this joyful anthem sets the text of Psalm 148, featuring changing metre and bright keyboard accompaniment. It is suitable for thanksgiving and praise, o...

Originally published in Epiphany to All Saints for Choirs, this anthem for All Saints' Day is inspired by the sacred polyphonic style from the sixteenth century, with staggered entries and extended me...

With words by the composer, this warm, expressive anthem calls to Christ, the light of the world, to bring justice, hope, and joy to our lives. The simple, memorable melody is supported by a gently fl...

Setting a text by Marc Bratcher, I too shall walk to Bethlehem depicts a journey to the Bethlehem stable 'where once a child was born', recounting the strength, courage, and heart acquired from the en...

The exuberant chorus from Messiah. The orchestral material is available on hire.

Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe, Fagott, Klarinette in b, Streicher, Basso continuo. Klavierauszug; Urtextausgabe

Kantate zum Sonntag Sexagesimae (Leipziger Fassung) (deutsch/englisch) nach der Neuen Bach-Ausgabe. Sopran solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Alt-Blockflöte in f,g (2), Fagott, Viola (...

Kantate zum 1. Ostertag (Weimarer und Leipziger Fassung). Sopran solo, Tenor solo, Bass solo, Gemischter Chor-SSATB, 1 (3) Ob, (Englischhorn, Fagott), Trompete (3), Pauke, Streicher, Basso continuo