Gemischter Chor mit Orgel

This is a tender, meditative setting of the well-known text from the New Testament, 'If ye love me, keep my commandments' (John 14:15). Mack Wilberg has woven together melting legato vocal lines, supp...

This is a substantial setting of the canticles of Mary and Simeon, suitable for performance in both concert and liturgical settings. The choral writing features fugal counterpoint and a chromatic soun...

This compelling anthem presents an assortment of historic sacred texts, artfully compiled by the composer to form a complete setting, with alternative text for Lenten use. Firmly rooted in the English...

For this joyful arrangement of Henry T. Smart's hymn tune Regent Square, Mack Wilberg has adapted Thomas Kelly's celebratory Easter hymn 'He is Risen Today' and provided an alternative text for use du...

Mack Wilbergs Hosanna in excelsis ist eine Bearbeitung von Johann Pachelbels bekanntem Kanon in D, P 37, die die Worte "Hosanna in excelsis Deo" in den sorgfältig verwobenen Chorteil setzt. Mit dem be...

Dies ist eine majestätische Vertonung der beliebten Hymne "O God beyond all praising" zu Holsts Melodie "Thaxted", die auf ein Thema aus "Jupiter" aus The Planets zurückgeht. Wilbergs wunderschöne Bea...

Dies ist eine lyrische und klangvolle Vertonung der lateinischen Messe, die anlässlich des 900-jährigen Bestehens der Prioratskirche St. Bartholomäus der Große komponiert wurde. Das Werk für SATB, Org...

Because of Him ist eine sakrale Hymne von Mack Wilberg, die von seinem Schreibpartner David Warner verfasst wurde. Das Stück eignet sich besonders für Ostern und verwendet die Hymne "Prospect", die ur...

Diese ätherische sakrale Hymne vertont Texte von David Warner, die sich mit der verklärenden Kraft des Friedens befassen. Sie ist meditativ und ansprechend und eignet sich für jede Zeit des Kirchenjah...

Trevor Westons Vertonung des Magnificat und des Nunc Dimittis mit englischem Text ist ein glorreicher Beitrag zur reichen Tradition der Abendgottesdienste für Chor. Das im Kanon von Vaughan Williams u...

Weston's setting of the Magnificat and Nunc Dimittis, with English text, is a glorious contribution to the tradition of choral Evening Services. Written in the canon of Vaughan Williams and Howells, t...

A stunning atmosphere is instantly created in this short piece by the coupling of slow-moving, homophonic choral lines and an almost ethereal organ part, featuring flourishes on the flute stops. These...

This jubilant single-movement setting of the Latin Gloria is highly original and packed with content, including recurring rhythmic and melodic motifs, harmonic twists, a peaceful central section, and...

This meaningful text by David Warner is accompanied by beautiful leaps and subsequent suspensions in the memorable melody, which is supported by rich textures in the organ and orchestra. Appropriate t...

Eleanor Daley sets this Wesley text in an antiphonal style between the SATB choir and organ (or brass quartet, parts sold separately). The sound is majestic and declamatory, just as one would expect f...

A lyric and serene sacred song, foreshadowing the mood of the Requiem.

For SATB and organ - Set to a text by John A. Dalles, a hymn-writer whose work has appeared in a number of significant hymnals, the work is suitable for funerals, memorials, and on any Sunday when the...

For SATTB and organ continuo - Continuing the Church Music Society series of Sweelinck motets, O sacrum convivium (O sacred banquet) is suitable for any Eucharist outside Lent. The middle section in t...

SSAATTBB and organ. An offprint from the much-acclaimed The Restoration Anthem Vol. 1, a richly textured setting of verses from Psalm 46 displaying Blow's skilful handling of chromaticism. 12 pages.

Wesley set this prayer from the Litany several times and this edition is based on the final one published in 1870. The simple chordal texture of the opening blossoms into a richly contrapuntal Amen. T...

SSAATTBB & organ This edition by Richard Lyne retains the original Latin text and is based on the fair copy that Wesley left to his son, Samuel Sebastian Wesley.

The Church Music Society is proud to publish this mass setting by Anthony Caesar, written for St Paul's, K Street, Washington DC. The quieter sections are strongly influenced by plainsong, and the Glo...

Following the recent release of a CD of Harry Bramma's church music, the Church Music Society is proud to publish this setting of words of St Augustine of Hippo, written for the Choir of St Martin's,...

Wesley set this text from Psalm 110 twice - once in 1814 for four voices and again in 1827 for six voices. This latter version, though short, has considerable drive and impact, making it highly suitab...

For SSATB and organ Written in 1852 in the wake of S.S.Wesley's groundbreaking Service in E this is an equally ambitious work with an important obbligato organ part. With only one change of tempo, it...