George Gershwin: Mittelschwere Noten

This one truly is wonderful! The band moves along at a nice tempo giving the vocalist plenty of support throughout. Tenor sax and trumpet both solo after the first chorus and then bring the vocalist b...

The arrangement was commissioned and recorded by Prisma (members of the Vienna Philharmonic and Vienna Symphonic Orchestras).

A vocal solo with jazz ensemble, this arrangement of the gorgeous ballad by Gershwin?' tells a story. Arranged by Dave Wolpe, the chart is in the key of C with the vocal range from G below middle C to...

This is surely one of Gershwin's most beautiful melodies,' and Potts arranged it to feature trumpet throughout (as recorded on the 1959 album 'The Jazz Soul of Porgy and Bess', featuring the Bill Pott...

I'd Rather Charleston, written by George Gershwin with words by Desmond Carter, from the musical comedy 'Lady Be Good!', arranged for voice and piano.

In The Rain, written by George Gershwin with words by Clifford Grey, from 'The Rainbow', arranged for voice and piano.

Innocent Lonesome Blue Baby, written by George Gershwin and William Daly with words by Clifford Grey and Brian Hooker, from 'The Rainbow', arranged for voice and piano.

Isn't It Wonderful, written by George Gershwin with words by Desmond Carter and Ira Gershwin, from the musical comedy 'Primrose', arranged for voice and piano.

It's A Great Little World, written by George Gershwin with words by Ira Gershwin, from the musical comedy 'Tip-Toes', arranged for voice and piano.

The Half Of It, Dearie, Blues, written by George Gershwin with words by Ira Gershwin, from the musical comedy 'Lady, Be Good!', arranged for voice and piano.

Argentina, written by George Gershwin with words by Buddy De Sylva, from 'George White's Scandals', arranged for voice and piano.

At Half Past Seven, written by George Gershwin with words by Buddy De Sylva, from 'Nifties of 1923', arranged for voice and piano.

Beautiful Gypsy, written by George Gershwin with words by Ira Gershwin, from 'Rosalie', arranged for voice and piano.

Because, Because, written by George Gershwin with words by Ira Gershwin, from 'Of Thee I Sing', arranged for voice and piano.

Cinderelatives, written by George Gershwin with words by Buddy De Sylva, arranged for voice and piano.

Do What You Do! written by George Gershwin with words by Ira Gershwin and Gus Kahn, from 'Show Girl', arranged for voice and piano.

Drifting Along With The Tide, written by George Gershwin with words by Arthur Jackson, from 'George White's Scandals', arranged for voice and piano.

Feeling I'm Falling, written by George Gershwin with words by Ira Gershwin, from 'Treasure Girl', arranged for voice and piano.

Feeling Sentimental, written by George Gershwin with words by Ira Gershwin and Gus Kahn, from 'Show Girl', arranged for voice and piano.

From Now On, written by George Gershwin with words by Arthur Jackson and Buddy DeSylva, from 'La La Lucille', arranged for voice and piano.

Got A Rainbow, written by George Gershwin with words by Ira Gershwin, from 'Treasure Girl', arranged for voice and piano.

Hangin' Around With You, written by George Gershwin with words by Ira Gershwin, from 'Strike Up The Band', arranged for voice and piano.

Harlem Serenade, written by George Gershwin with words by Ira Gershwin and Gus Kahn, from 'Show Girl', arranged for voice and piano.

On The Beach At How've You Been, written by George Gershwin with words by Buddy De Sylva, from 'George White's Scandals', arranged for voice and piano.

Heaven On Earth, written by George Gershwin with words by Ira Gershwin and Howard Dietz, from 'Oh, Kay', arranged for voice and piano.