Hal Leonard Big Band-Noten

Dieses kreative Stück im Stil des New Orleans Street Beat ist eine neue Interpretation eines alten Favoriten. Ein perfektes Beispiel für eine frühe Jazzmelodie, die den Test der Zeit überdauert hat, u...

Shorty Rogers was one of the primary creators of West Coast jazz, both as a composer and performer. Popo is a great example of a cool blues in a medium tempo, with solo space for any player.

Shorty Rogers was one of the primary creators of West Coast jazz, both as a composer and performer. Popo is a great example of a cool blues in a medium tempo, with solo space for any player.

Shorty Rogers was one of the primary creators of West Coast jazz, both as a composer and performer. Popo is a great example of a cool blues in a medium tempo, with solo space for any player.

Shorty Rogers was one of the primary creators of West Coast jazz, both as a composer and performer. Popo is a great example of a cool blues in a medium tempo, with solo space for any player.

Shorty Rogers was one of the primary creators of West Coast jazz, both as a composer and performer. Popo is a great example of a cool blues in a medium tempo, with solo space for any player.

Shorty Rogers was one of the primary creators of West Coast jazz, both as a composer and performer. Popo is a great example of a cool blues in a medium tempo, with solo space for any player.

Shorty Rogers was one of the primary creators of West Coast jazz, both as a composer and performer. Popo is a great example of a cool blues in a medium tempo, with solo space for any player.

Shorty Rogers was one of the primary creators of West Coast jazz, both as a composer and performer. Popo is a great example of a cool blues in a medium tempo, with solo space for any player.

Shorty Rogers was one of the primary creators of West Coast jazz, both as a composer and performer. Popo is a great example of a cool blues in a medium tempo, with solo space for any player.

Shorty Rogers was one of the primary creators of West Coast jazz, both as a composer and performer. Popo is a great example of a cool blues in a medium tempo, with solo space for any player.

Shorty Rogers was one of the primary creators of West Coast jazz, both as a composer and performer. Popo is a great example of a cool blues in a medium tempo, with solo space for any player.

Shorty Rogers was one of the primary creators of West Coast jazz, both as a composer and performer. Popo is a great example of a cool blues in a medium tempo, with solo space for any player.

Shorty Rogers was one of the primary creators of West Coast jazz, both as a composer and performer. Popo is a great example of a cool blues in a medium tempo, with solo space for any player.

Shorty Rogers was one of the primary creators of West Coast jazz, both as a composer and performer. Popo is a great example of a cool blues in a medium tempo, with solo space for any player.

Shorty Rogers was one of the primary creators of West Coast jazz, both as a composer and performer. Popo is a great example of a cool blues in a medium tempo, with solo space for any player.

Shorty Rogers was one of the primary creators of West Coast jazz, both as a composer and performer. Popo is a great example of a cool blues in a medium tempo, with solo space for any player.

Shorty Rogers was one of the primary creators of West Coast jazz, both as a composer and performer. Popo is a great example of a cool blues in a medium tempo, with solo space for any player.

Shorty Rogers was one of the primary creators of West Coast jazz, both as a composer and performer. Popo is a great example of a cool blues in a medium tempo, with solo space for any player.

Shorty Rogers was one of the primary creators of West Coast jazz, both as a composer and performer. Popo is a great example of a cool blues in a medium tempo, with solo space for any player.

Here is a fresh take on the bebop blues classic by Charlie Parker. The chart starts out in a funk style and then alternates with swing sections. Soloists have a chance to improvise in both styles.

Here is a fresh take on the bebop blues classic by Charlie Parker. The chart starts out in a funk style and then alternates with swing sections. Soloists have a chance to improvise in both styles.

Here is a fresh take on the bebop blues classic by Charlie Parker. The chart starts out in a funk style and then alternates with swing sections. Soloists have a chance to improvise in both styles.

Here is a fresh take on the bebop blues classic by Charlie Parker. The chart starts out in a funk style and then alternates with swing sections. Soloists have a chance to improvise in both styles.

Here is a fresh take on the bebop blues classic by Charlie Parker. The chart starts out in a funk style and then alternates with swing sections. Soloists have a chance to improvise in both styles.