Hal Leonard Big Band-Noten

Opening with a shuffle vamp with layers of riffs being added as the intensity builds, this powerhouse arrangement from the acclaimed CD 'I Am Three' blossoms into a full-grown flat-out shout!

Adapted as a mambo, Michael Mossman pulls out all the stops on this unique and exciting setting of Clifford Brown's jazz standard. The brass section screams out the melody while the saxes fill in blaz...

This Vince Guaraldi hit from the '60s is arranged by John Berry using a light rock style and features the saxes on the melody. Includes solos for alto and trumpet.

Using a wide variety of scoring styles, this great-sounding arrangement takes full advantage of the six-horn format. There is solo space for tenor and trumpet along with nicely scored full ensemble pa...

In 1977 Stevie Wonder was in his prime and 'Sir Duke' was on top of the charts. Michael Mossman takes this familiar hit and adds his own unique touch. The middle section goes into a double time swing...

Jazz great Thelonious Monk composed so many classic tunes, and this creative powerhouse of a chart includes snippets of sixteen of them! Challenge your audience (and your players) to find them all as...

Recorded by Miles Davis on his landmark album Birth of the Cool, this jazz standard was composed by Denzil Best using the same chord changes as Count Basie's Jumpin' at the Woodside. This exciting cha...

One of the signature tunes of the Cannonball Adderley Quintet, composed by Nat Adderley, this well-known jazz standard remains as popular today as when it first came out in 1960. Arranged here in a so...

At last...an easy ensemble-oriented chart on this great jazz classic. Arranged in a laid-back Basie groove, this chart is everything you could ask for.

Sammy's unparalleled craftsmanship is evident in this masterpiece for younger bands. In one tempo throughout, there's a hint of 'march style' and more than a hint of solid ensemble writing.

It's Pee-Wee's big tune...and it works great for young jazz ensembles.

Composer Mark Taylor has struck gold again with this original that opens with a maestoso introduction before settling into a Latin Rock style. Saxes take the melody first, followed by the brass. A nic...

Mark Taylor utilizes a small group alternating with the full band, along with a moderate Latin style in this effectively written version of this lesser-known jazz standard. Also featured is a solo for...

Originally recorded by Charles Mingus on his Mingus Ah Um album in 1959, Sy Johnson has transformed this through-composed ballad into a stunningly beautiful setting for full jazz ensemble. Featuring e...

Even though this is scored for just 6 horns, the writing is sophisticated and full sounding. Written in 3/4 but featuring an Afro-Cuban 6/8 groove, this marvelous chart includes solos for tenor or tru...

Here is a sizzling Afro-Cuban version of this Chick Corea classic that is sure to be an impressive addition to any program for mature bands. Perfect as a feature for your pianist, but the flexible sol...

Plenty of solid tutti ensemble scoring is featured in this arrangement for small group of Sonny Rollins' familiar Latin standard. The solo section can be opened up for any player, and a tasty unison e...