Hal Leonard Blasorchester-Noten

Sleep, My Child comes from Eric Whitacre's work for musical theater, Paradise Lost: Shadows and Wings. Originally written for two sopranos and mezzo (portrayed as three angels), it was adapted for ban...

Sleep, My Child comes from Eric Whitacre's work for musical theater, Paradise Lost: Shadows and Wings. Originally written for two sopranos and mezzo (portrayed as three angels), it was adapted for ban...

Sleep, My Child comes from Eric Whitacre's work for musical theater, Paradise Lost: Shadows and Wings. Originally written for two sopranos and mezzo (portrayed as three angels), it was adapted for ban...

Sleep, My Child comes from Eric Whitacre's work for musical theater, Paradise Lost: Shadows and Wings. Originally written for two sopranos and mezzo (portrayed as three angels), it was adapted for ban...

Sleep, My Child comes from Eric Whitacre's work for musical theater, Paradise Lost: Shadows and Wings. Originally written for two sopranos and mezzo (portrayed as three angels), it was adapted for ban...

Sleep, My Child comes from Eric Whitacre's work for musical theater, Paradise Lost: Shadows and Wings. Originally written for two sopranos and mezzo (portrayed as three angels), it was adapted for ban...

Sleep, My Child comes from Eric Whitacre's work for musical theater, Paradise Lost: Shadows and Wings. Originally written for two sopranos and mezzo (portrayed as three angels), it was adapted for ban...

Sleep, My Child comes from Eric Whitacre's work for musical theater, Paradise Lost: Shadows and Wings. Originally written for two sopranos and mezzo (portrayed as three angels), it was adapted for ban...

Sleep, My Child comes from Eric Whitacre's work for musical theater, Paradise Lost: Shadows and Wings. Originally written for two sopranos and mezzo (portrayed as three angels), it was adapted for ban...

Sleep, My Child comes from Eric Whitacre's work for musical theater, Paradise Lost: Shadows and Wings. Originally written for two sopranos and mezzo (portrayed as three angels), it was adapted for ban...

Sleep, My Child comes from Eric Whitacre's work for musical theater, Paradise Lost: Shadows and Wings. Originally written for two sopranos and mezzo (portrayed as three angels), it was adapted for ban...

Sleep, My Child comes from Eric Whitacre's work for musical theater, Paradise Lost: Shadows and Wings. Originally written for two sopranos and mezzo (portrayed as three angels), it was adapted for ban...

Sleep, My Child comes from Eric Whitacre's work for musical theater, Paradise Lost: Shadows and Wings. Originally written for two sopranos and mezzo (portrayed as three angels), it was adapted for ban...

Sleep, My Child comes from Eric Whitacre's work for musical theater, Paradise Lost: Shadows and Wings. Originally written for two sopranos and mezzo (portrayed as three angels), it was adapted for ban...

Sleep, My Child comes from Eric Whitacre's work for musical theater, Paradise Lost: Shadows and Wings. Originally written for two sopranos and mezzo (portrayed as three angels), it was adapted for ban...

Sleep, My Child comes from Eric Whitacre's work for musical theater, Paradise Lost: Shadows and Wings. Originally written for two sopranos and mezzo (portrayed as three angels), it was adapted for ban...

Richard makes full use of the sonic possibilities of the contemporary symphonic band in this exciting work. Through skillful use of layering rhythmic patterns and harmonic structures, a series of emot...

Richard makes full use of the sonic possibilities of the contemporary symphonic band in this exciting work. Through skillful use of layering rhythmic patterns and harmonic structures, a series of emot...

Richard makes full use of the sonic possibilities of the contemporary symphonic band in this exciting work. Through skillful use of layering rhythmic patterns and harmonic structures, a series of emot...

Richard makes full use of the sonic possibilities of the contemporary symphonic band in this exciting work. Through skillful use of layering rhythmic patterns and harmonic structures, a series of emot...

Richard makes full use of the sonic possibilities of the contemporary symphonic band in this exciting work. Through skillful use of layering rhythmic patterns and harmonic structures, a series of emot...

Richard makes full use of the sonic possibilities of the contemporary symphonic band in this exciting work. Through skillful use of layering rhythmic patterns and harmonic structures, a series of emot...

Richard makes full use of the sonic possibilities of the contemporary symphonic band in this exciting work. Through skillful use of layering rhythmic patterns and harmonic structures, a series of emot...

Richard makes full use of the sonic possibilities of the contemporary symphonic band in this exciting work. Through skillful use of layering rhythmic patterns and harmonic structures, a series of emot...

Richard makes full use of the sonic possibilities of the contemporary symphonic band in this exciting work. Through skillful use of layering rhythmic patterns and harmonic structures, a series of emot...