Hal Leonard Chornoten

Originally written for SATB choir with piano and then made available for 2 part and SSA voices. Now, here is an orchestral accompaniment that sparkles.

Originally written for SATB choir with piano and then made available for 2 part and SSA voices. Now, here is an orchestral accompaniment that sparkles.

Originally written for SATB choir with piano and then made available for 2 part and SSA voices. Now, here is an orchestral accompaniment that sparkles.

Originally written for SATB choir with piano and then made available for 2 part and SSA voices. Now, here is an orchestral accompaniment that sparkles.

Originally written for SATB choir with piano and then made available for 2 part and SSA voices. Now, here is an orchestral accompaniment that sparkles.

Originally written for SATB choir with piano and then made available for 2 part and SSA voices. Now, here is an orchestral accompaniment that sparkles.

Originally written for SATB choir with piano and then made available for 2 part and SSA voices. Now, here is an orchestral accompaniment that sparkles.

Originally written for SATB choir with piano and then made available for 2 part and SSA voices. Now, here is an orchestral accompaniment that sparkles.

Originally written for SATB choir with piano and then made available for 2 part and SSA voices. Now, here is an orchestral accompaniment that sparkles.

Originally written for SATB choir with piano and then made available for 2 part and SSA voices. Now, here is an orchestral accompaniment that sparkles.

Originally written for SATB choir with piano and then made available for 2 part and SSA voices. Now, here is an orchestral accompaniment that sparkles.

Jason Robert Brown, no stranger to complex themes and compositions, created this rumination on migration which holds a special significance in a year filled with crises like immigration, family separa...