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Song of Solomon 1:1-2, 3:2, 8:14. Based on Lithuanian cantillation. For SAATB, Rehearsal Keyboard.
Song of Solomon 1:1-2, 3:2, 8:14. Based on Lithuanian cantillation. For SAATB, Rehearsal Keyboard.
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The Alice Parker Choral Series. Text by Y. Sheinburg. Rise up, let's go, rise up, Comrades, return! For SATB a cappella. Rehearsal piano part included.
The Alice Parker Choral Series. Text by Y. Sheinburg. Rise up, let's go, rise up, Comrades, return! For SATB a cappella. Rehearsal piano part included.
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- Alice Parker
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Chanukah song. The Westminster Conservatory Youth Chorale Jewish Music Series. Based on the traditional folk song. For SATB a cappella, rehearsal piano part included.
Chanukah song. The Westminster Conservatory Youth Chorale Jewish Music Series. Based on the traditional folk song. For SATB a cappella, rehearsal piano part included.
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- Joseph Flummerfelt
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The Westminster Conservatory Youth Chorale Jewish Music Series. For SATB a cappella, rehearsal piano part included.
The Westminster Conservatory Youth Chorale Jewish Music Series. For SATB a cappella, rehearsal piano part included.
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NEW! Written for the 2000 Convention of the American Guild of Organists, An American Kedushah is a monumental piece. Working closely with Eleanor Epstein, conductor of the Zemer Chai Chorale of Washin...
NEW! Written for the 2000 Convention of the American Guild of Organists, An American Kedushah is a monumental piece. Working closely with Eleanor Epstein, conductor of the Zemer Chai Chorale of Washin...
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Some hallmarks of an excellent choral arrangement are sensitivity to the text, singing lines for each of the vocal parts, and variation in texture. Zuckerman's arrangements are so good, they almost si...
Some hallmarks of an excellent choral arrangement are sensitivity to the text, singing lines for each of the vocal parts, and variation in texture. Zuckerman's arrangements are so good, they almost si...
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- Mark Zuckerman
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Includes: 1. Lift My Eyes (Psalm 121) * 2. Your Holy Mountain (Isaiah 56:7) * 3. Come Ye and Let Us Go Up (Isaiah 2:3-4) * 4. And It Shall Come to Pass (Isaiah 65:24-25).
Includes: 1. Lift My Eyes (Psalm 121) * 2. Your Holy Mountain (Isaiah 56:7) * 3. Come Ye and Let Us Go Up (Isaiah 2:3-4) * 4. And It Shall Come to Pass (Isaiah 65:24-25).
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Thomas Tallis (1505-1585) was equally at ease composing simple settings of English texts, and more florid Latin motets, as the examples in this collection show. Includes: Hear the voice and prayer; If...
Thomas Tallis (1505-1585) was equally at ease composing simple settings of English texts, and more florid Latin motets, as the examples in this collection show. Includes: Hear the voice and prayer; If...
- Gemischter Chor (SATB)
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- Philip Lawson
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Uses: Concert, General Scripture: Matthew 7:13-14; Revelation 7:13-17 A vocal tour de force, this arrangement of the traditional spiritual is overflowing with unbridled joy! A pivotal solo moment invi...
Uses: Concert, General Scripture: Matthew 7:13-14; Revelation 7:13-17 A vocal tour de force, this arrangement of the traditional spiritual is overflowing with unbridled joy! A pivotal solo moment invi...
- Gemischter Chor (SATB)
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- Sheldon Curry
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Now available in additional voicings, Sorida is a term of greeting in the Shona language of Zimbabwe, Africa, similar to shalom in Hebrew or jambo in Swahili. This original work features percussion, l...
Now available in additional voicings, Sorida is a term of greeting in the Shona language of Zimbabwe, Africa, similar to shalom in Hebrew or jambo in Swahili. This original work features percussion, l...
- Gemischter Chor (SSAB)
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- William Powell
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- Gemischter Chor (SATB)
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- Wayne Grimmer
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Now available in SSA and 3-Part Mixed voicings, this playful doo-wop flavored setting of the traditional English carol may be performed a cappella or with piano. With great solo opportunities, this pi...
Now available in SSA and 3-Part Mixed voicings, this playful doo-wop flavored setting of the traditional English carol may be performed a cappella or with piano. With great solo opportunities, this pi...
- Gemischter Chor (3-stimmig) und Klavier
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- Audrey Snyder
- Hal Leonard
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Here is the famous madrigal by Thomas Morley in a new performing edition. Ideal for chamber, madrigal and concert choirs, this cheerful work offers superb opportunities for developing style, intonatio...
Here is the famous madrigal by Thomas Morley in a new performing edition. Ideal for chamber, madrigal and concert choirs, this cheerful work offers superb opportunities for developing style, intonatio...
- Gemischter Chor (SSATB)
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- John Leavitt
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Now available for mixed voices! This traditional greeting/salutation song of the Kwangali and Sotho people, with authentic call and response vocals, djembe, bass drum and shakers will be easily learne...
Now available for mixed voices! This traditional greeting/salutation song of the Kwangali and Sotho people, with authentic call and response vocals, djembe, bass drum and shakers will be easily learne...
- Gemischter Chor (SATB) und Percussion
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- Bernard Krueger
- Hal Leonard
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Fast, rhythmic, with accents, textural twists and a slow rubato middle section, this short secular a cappella work is full of surprises and comic elements. With an Italian text by Charles Anthony Silv...
Fast, rhythmic, with accents, textural twists and a slow rubato middle section, this short secular a cappella work is full of surprises and comic elements. With an Italian text by Charles Anthony Silv...
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Be quiet, be still, listen and hear, far away a voice is calling, this is the translation of this original work that evokes the wonder and beauty of the country of South Africa. The gentle declaration...
Be quiet, be still, listen and hear, far away a voice is calling, this is the translation of this original work that evokes the wonder and beauty of the country of South Africa. The gentle declaration...
- Gemischter Chor (SATB)
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Here is the Latin antiphon from the requiem mass for unaccompanied voices and soloists. Varied textures and a full dynamic range give this setting an emotional context that will offer appropriate chal...
Here is the Latin antiphon from the requiem mass for unaccompanied voices and soloists. Varied textures and a full dynamic range give this setting an emotional context that will offer appropriate chal...
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John Bennet (c. 1575-c. 1614) was a Renaissance-era English composer who wrote several madrigals in the style of Thomas Morley. This is perhaps his most famous one, and is a wonderful contest or festi...
John Bennet (c. 1575-c. 1614) was a Renaissance-era English composer who wrote several madrigals in the style of Thomas Morley. This is perhaps his most famous one, and is a wonderful contest or festi...
- Gemischter Chor (SATB)
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- John Leavitt
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A lovely setting of the Latin Grace from Jesus College, Cambridge, featuring harmonic richness and subtle rhythmic and textural merits. An excellent a cappella selection for mature mixed choruses.
A lovely setting of the Latin Grace from Jesus College, Cambridge, featuring harmonic richness and subtle rhythmic and textural merits. An excellent a cappella selection for mature mixed choruses.
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Composed for the choir of St. Chad's, Shrewsbury, this setting for unaccompanied mixed voices of the prayer after communion presents the text in a straightforward manner, with nuanced phrases and gent...
Composed for the choir of St. Chad's, Shrewsbury, this setting for unaccompanied mixed voices of the prayer after communion presents the text in a straightforward manner, with nuanced phrases and gent...
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The choral music of Orlando Gibbons (1583-1625) is unusual among his Tudor contemporaries for being all in English (as far as we know), and is of the very highest quality. This collection provides an...
The choral music of Orlando Gibbons (1583-1625) is unusual among his Tudor contemporaries for being all in English (as far as we know), and is of the very highest quality. This collection provides an...
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Emerging composer Kelsey Hohnstein has produced a warm, deeply expressive setting of the Sara Teasdale poem with well-crafted vocal lines, interesting choral textures and a full dynamic range, making...
Emerging composer Kelsey Hohnstein has produced a warm, deeply expressive setting of the Sara Teasdale poem with well-crafted vocal lines, interesting choral textures and a full dynamic range, making...
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Easter Song, one of the most well-known songs from the iconic trio 2nd Chapter of Acts, is now available in this bright and singable setting by Keith Christopher. Present this anthem a cappella, or ad...
Easter Song, one of the most well-known songs from the iconic trio 2nd Chapter of Acts, is now available in this bright and singable setting by Keith Christopher. Present this anthem a cappella, or ad...
- Gemischter Chor (SATB)
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- Keith Christopher
- Hal Leonard
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The beloved holiday classic in a fresh a cappella setting is perfect for vocal jazz, pop and concert groups looking for that special ballad! The lyrics are primary in this setting, with each section t...
The beloved holiday classic in a fresh a cappella setting is perfect for vocal jazz, pop and concert groups looking for that special ballad! The lyrics are primary in this setting, with each section t...
- Gemischter Chor (SATB) und Klavier
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- Paris Rutherford
- Hal Leonard
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This is a fabulous song from the stage musical Finian's Rainbow with a beautiful melody shaped totally in a major harmony, with a melodic range that supports the questioning feeling of the lyric. Offe...
This is a fabulous song from the stage musical Finian's Rainbow with a beautiful melody shaped totally in a major harmony, with a melodic range that supports the questioning feeling of the lyric. Offe...
- Gemischter Chor (SATB)
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- Paris Rutherford
- Hal Leonard
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