Jimmy van Heusen: Mittelschwere Noten

As Recorded by the Count Basie Orchestra on "Pop Goes the Basie." Call Me Irresponsible has that smooth, medium swing to get your listeners swaying back and forth. This chart is easy enough for most b...

As Recorded by the Count Basie Orchestra on "Pop Goes the Basie." Call Me Irresponsible features plentiful snippets of solos for Tenor 1, Trumpet 4, Trombone 1, and Piano. Growling plunger solos form...

Written for Frank Sinatra and title track of his 1958 album, this tune remains popular through recent recordings and usages in TV and film. This chart brings a swingin' big band style to the field in...

For SATB Choir and Piano.

A relaxed and expressive piece for SATB choir with optional Soprano and Tenor soloists.

Als Samba arrangiert, hat Scott Ragsdale eine hervorragende Arbeit mit diesem großartigen Stück geleistet. Zu den Besonderheiten dieses erstklassigen Charts gehören schöne Sektionssoli rundherum, ein...

Als Samba arrangiert, hat Scott Ragsdale eine hervorragende Arbeit mit diesem großartigen Stück geleistet. Zu den Besonderheiten dieses erstklassigen Charts gehören schöne Sektionssoli rundherum, ein...

Frank Sinatra interpreted the theme tune to 'Married with Children' in a characteristic Sinatra style, singing 'directly to the heart' of his audience, ensuring its popularity with listeners of all ag...

Ain't That a Kick in the Head is from the movie 'Ocean 11' from 1960 and was the the definitive Rat Pack film, with Frank Sinatra, Dean Martin and Sammy Davis Jr. in the main roles. Dean Martin sang t...

Rückseitentitel: Mister Sandman

Performed and recorded by a host of jazz greats including Frank Sinatra, Tony Bennett, Chet Baker, Dave Brubeck and scores of others, this beautiful Burke/Van Heusen ballad allows for lots of creative...

Arranged in a slow swing ballad style, John's well-crafted arrangement of this time-tested standard is skillfully scored to take full advantage of the little big band format. Includes solos for trumpe...

Mike Tomaro uses tight harmonies and a smooth Bossa Nova style to revisit this timeless standard. A perfect fit for the 6-horn format, and a nice change of pace for programming.

Mike Tomaro uses tight harmonies and a smooth Bossa Nova style to revisit this timeless standard. A perfect fit for the 6-horn format, and a nice change of pace for programming.

Mike Tomaro uses tight harmonies and a smooth Bossa Nova style to revisit this timeless standard. A perfect fit for the 6-horn format, and a nice change of pace for programming.

Mike Tomaro uses tight harmonies and a smooth Bossa Nova style to revisit this timeless standard. A perfect fit for the 6-horn format, and a nice change of pace for programming.

Mike Tomaro uses tight harmonies and a smooth Bossa Nova style to revisit this timeless standard. A perfect fit for the 6-horn format, and a nice change of pace for programming.

Mike Tomaro uses tight harmonies and a smooth Bossa Nova style to revisit this timeless standard. A perfect fit for the 6-horn format, and a nice change of pace for programming.

Mike Tomaro uses tight harmonies and a smooth Bossa Nova style to revisit this timeless standard. A perfect fit for the 6-horn format, and a nice change of pace for programming.

Mike Tomaro uses tight harmonies and a smooth Bossa Nova style to revisit this timeless standard. A perfect fit for the 6-horn format, and a nice change of pace for programming.

Mike Tomaro uses tight harmonies and a smooth Bossa Nova style to revisit this timeless standard. A perfect fit for the 6-horn format, and a nice change of pace for programming.

Mike Tomaro uses tight harmonies and a smooth Bossa Nova style to revisit this timeless standard. A perfect fit for the 6-horn format, and a nice change of pace for programming.

Mike Tomaro uses tight harmonies and a smooth Bossa Nova style to revisit this timeless standard. A perfect fit for the 6-horn format, and a nice change of pace for programming.

Mike Tomaro uses tight harmonies and a smooth Bossa Nova style to revisit this timeless standard. A perfect fit for the 6-horn format, and a nice change of pace for programming.

Mike Tomaro uses tight harmonies and a smooth Bossa Nova style to revisit this timeless standard. A perfect fit for the 6-horn format, and a nice change of pace for programming.