Jo Kondo Noten für Ensemble

Finalist in the Concours International du Festival Pablo Casals de Prades 2005.

13 specially commissioned pieces which aim to breathe new life into a largely neglected component of the GCSE/Key Stage 4 Music syllabus, Ensemble Performance. On Track comes complete with a CD-Rom c...

A Cabinet & Seven Drawers for Voice, Violin, Harpsichord and Descant, Treble and Tenor Recorders. Published 2006. Commissioned by the Vigani Project 2007. First performance: Lesley-Jane Rogers, Farran...

For Voice, Percussion and Strings. Commissioned by the Vigani Project 2007 First performance: Lesley-Jane Rogers, Farran Scott and members of the Cambridge Music Faculty, The Long Gallery of Queen's C...

Sadie Harrison's Gulistan-e-Nur (The Rosegarden of Light): Three Interludes. Afghan songs and dances, for mixed youth/amateur ensemble of 5 open instrumentation parts (3 treble, 1 alto, 1 bass instrum...

Domenico Scarlatti's 200 Sonate For Piano. Volume 4, Nos. 151-200. The sonatas are not grouped according to their degree of difficulty, they are given in the order which corresponds with the Kirkpatri...

Sadie Harrison's The Murder after a painting by Heather Nevay for Voice and Marimba, Voice and Cello and Voice and Clarinet in Bb. Composed in 2016.

For Soprano and Two Clarinets. Published in 1982. First performed by Diana Crockford, Helmsley Festival, July 1983. Score and Parts.

Cantata for Soprano and Ensemble (Flute, Clarinet, Violin, Viola, and Cello). Published in 1990. Commissioned by Gemini. First performed at Huddersfield Festival, November 1991. Score.

For Soprano and Recorder. Published in 1992. Commissioned by Tracey Shawell and John Turner. First performed at the Whitworth Gallery, Manchester, February 1993. Score and Part.

For Piano solo, Flute(+Alto Flute), Clarinet, Viola, Cello, and Chinese Bell. Published 1978. Commissioned by Gemini. First performance by Ronald Lumsden and Gemini, conductor Peter Wiegold, Bristo...

For Flute, Clarinet, Percussion, Viola, and Cello. Published in 1969. Commissioned by Pierrot Players. First performed by Pierrot Players, conducted by Harrison Birtwistle, London 1969. Score.

For Flute, Clarinet, Percussion, Viola, and Cello. Published 1969. Commissioned by Pierrot Players. First performance: Pierrot Players, conductor Harrison Birtwistle, London 1969. Parts.

For Flute, Tenor Trombone (or Horn), Cello, 2 Percussonists, and 2 Pianists. Published in 1986. Commissioned by Flederman, and first performed in Sydney, 1986. Score.

For Flute, Clarinet, Percussion, Mandolin, Guitar, Violin, and Double Bass. Published 1988. Commissioned by Elision. First performance: Melbourne 1988. Score.

For Violin, Cello, Piano, Tape and Live Electronics. Published in 1972. Commissioned by Cheltenham Festival. First performed by the Orion Trio with the composer, Cheltenham, 1972. Score.

For Flute, Clarinet, Violin, Viola, Cello, and Piano. Commissioned by the Australia Ensemble. First performance: Sydney, June 1985.

For eleven instruments. 1. 1. 1. 0 / 0. 1. 0. 1 / pf. vib / 1. 0. 1. 1. 1 Published in 1994. Commissioned by Sydney Alpha. First performed in Sydney, September 1994. Score.

For Clarinet and Soprano voice. Published in 1990. Score and Part.

Der Klavierauszug enthält zugleich eine Bearbeitung für Coro SATB

Originally written as a wedding gift for mezzo-soprano Cheryl Laser and tenor James Beal, the composer produced this version for solo instruments and piano at the suggestion of trumpeter Chris Gekker...

Commissioned by BCMG. First performance: Sarah Leonard conducted by the composer, Adrian Boult Hall Birmingham, 1991.