Johann Strauss (Sohn) Noten für Blasorchester

Dieses Divertimento, diese Melange typisch österreichischer, vor allem Wiener Melodien, präsentiert in konzertanter Form unvergessliche musikalische Kostbarkeiten aus der Blütezeit der ehemaligen k.u....

Mit der Polka "Perpetuum Mobile" (Ein musikalischer Scherz) hat Johann Strauß Sohn eine in sich geschlossene Polka komponiert, die quasi in der Endlosschleife gespielt werden könnte. Diese Idee wird b...

Vorliegendes Potpourri wurde eigens für das "Wiener Operettenorchester" geschrieben und im Jahr 2007 auch von diesem renommierten Klangkörper in der "Metropolitan Hall" (Tokyo / Japan) zur Aufführung...

Vorliegendes Potpourri wurde eigens für das "Wiener Operettenorchester" geschrieben und im Jahr 2007 auch von diesem renommierten Klangkörper in der "Metropolitan Hall" (Tokyo / Japan) zur Aufführung...

In vorliegender Bearbeitung habe ich mir das klare Ziel gesetzt, dem Klang eines groß besetzten Symphonieorchesters möglichst nahe zu kommen. Mit dem LJBO Steiermark wurde das Werk erstmals erarbeite...

Für Schallplattenaufnahmen in den 1960er Jahren war es Usus, Konzertwalzer aber auch Ouvertüren einfach zu kürzen. Der Grund dafür ist simpel. Die Plattenlänge war limitiert, so mussten manche Wiederh...

Vorliegende Bearbeitung der Fledermaus Ouvertüre (F-Dur Fassung) ist im Rahmen der Zusammenarbeit mit der "Landesjugendblasorchester-Akademie Steiermark" entstanden (Vorstufenorchester für Musiker:inn...

Beside his 150 waltzes Johann Strauss composed several operettas of which 'Die Fledermaus' his best contribution to this genre is. The Csardas, sung by Rosalinde demands great virtuosity and gypsy fee...

Beside his 150 waltzes Johann Strauss composed several operettas of which 'Die Fledermaus' his best contribution to this genre is. Originally, the Csardas was planned as an orchestral interlude played...

Beside his 150 waltzes Johann Strauss composed several operettas of which 'Die Fledermaus' his best contribution to this genre is. Originally, the Csardas was planned as an orchestral interlude played...

Johann Strauss, the King of Waltzes, toured the world like a gypsy and his successful tours to St. Petersburg, Berlin, London, Paris and New York helped to popularise his waltz music. What difference...

Johann Strauss, the King of Waltzes, toured the world like a gypsy and his successful tours to St. Petersburg, Berlin, London, Paris and New York helped to popularise his waltz music. What difference...

Beside his 150 waltzes Johann Strauss composed several operettas of which 'Die Fledermaus' his best contribution to this genre is. The overture is firmly in the tradition established by Rossini and ev...

Beside his 150 waltzes Johann Strauss composed several operettas of which 'Die Fledermaus' his best contribution to this genre is. The overture is firmly in the tradition established by Rossini and ev...

Johann Strauss jr. composed a great amount of polka's to perform with his own orchestra that played on 'dance soirees' in Vienna. Like the famous polka Donner und Blitz, the Tick-Tack Polka opus 365 i...

Ich lade gern mir Gäste ein' is sung by Prince Orlovsky in the second act of Die Fledermaus: he himself is permanently bored by his wealth, but he insists upon his guests enjoying themselves at his ma...

The Viennese composer Johann Strauss jr. (1825 - 1899) composed besides his famous waltzes and operettas also a great amount of polka's to perform with his own orchestra that played on 'dance soirees'...

The trio 'so muss allein ich bleiben' from the operetta Die Fledermaus is sung in the first act: Gabriel von Eisenstein is due to leave for prison and his wife Rosalinde acts to be sad about it. Meanw...

Im Feuerstrom der Reben is the very final of the second act of the Operetta Die Fledermaus. (Soprano, Mezzo Soprano, Tenor, Choir and Concert Band)

O Fledermaus, o Fledermaus' is the very final of the Operetta Die Fledermaus. (2 Sopanos, 2 Mezzo Sopranos, 2 Tenors, 2 Baritones, Choir and Concert Band)

Der Zigeunerbaron is Strauss's second most popular operetta after Die Fledermaus. Its 1885 premiere had political resonance; the plot popularized the Dual (Austro-Hungarian) Monarchy which was to come...