John Rutter Noten für gemischten Chor

This is the first movement of Gloria, here published as a separate choral leaflet. Either of the accompaniments for the full choral work can be used with Gloria 1.

This arrangement of Scarlatti's Sonata in E (K. 215), which was originally composed for keyboard, is restrained and melodic, as well as being stylish and approachable.

The strong, no-nonsense tune breaks into canon, while the brisk piano part propels the music to a joyous, 'good cheer' ending. It is No. 3 of a suite of three songs, 'At the Turn of the Year', depicti...

For SATB and piano. Let's begin again is the finale from John Rutter's 'musical fable' The Reluctant Dragon, and makes a perfect gentle encore or leave-taking piece. Also available in Encores for Choi...

The Latin text from the Ordinary of the Mass for mixed voices, brass (4 trumpets, 2 tenor trombones, bass trombone, tuba), percussion, and organ. An accompaniment for orchestra without organ is also a...

This tender arrangement of the well-loved Irish folk melody Londonderry Air sets an uplifting poem by Howard Walter. I would be true has been recorded by the Cambridge Singers on the CD This is the Da...

For SATB unaccompanied with short passages for soprano solo or semi-chorus.

For SSAATB unaccompanied.

A practical edition of the extremely famous work by Allegri.

This setting can be found both in Five Traditional Songs and Folk Songs for Choirs 1. The text is simple, while the arrangement is varied and charming.

For SATB unaccompanied. This short, eloquent Benediction sets words from St Patrick's Breastplate (5th century). Also available in John Rutter Anthems.

The shades of Finzi and Vaughan Williams are strongly present in these three delightful unaccompanied choral settings, and yet the style and execution are wholly Rutter's own.

Oxford Choral Classics: English Church Music assembles in two volumes around 100 of the finest examples of English sacred choral music. The second volume presents a wealth of service material suitable...

This tender arrangement of the well-loved Irish folk melody Londonderry Air sets an uplifting poem by Howard Walter: a stirring combination of music and text that was also used at the funeral of Diana...

I my Best-Beloved's am was written in 1999 for the BBC Singers and focuses on the theme of marriage, setting the nuptial responses from the old Tridentine Catholic marriage service and stanzas from Fr...

This joyous, dance-like setting of Edward Lear's famous nonsense poem 'The Owl and the Pussy-cat' is taken from Rutter's Five Childhood Lyrics, a collection of unaccompanied pieces inspired by rhymes...

For SATB unaccompanied. Described by Elgar as an elegy for unaccompanied chorus, this mournful, reverent setting was composed for a service commemorating Queen Victoria on the anniversary of her death...

For SSAATTB unaccompanied.

For SSAATB unaccompanied.

For SATB double choir unaccompanied.

For SATB double choir unaccompanied. Setting words from the Ordinary of the Lutheran Mass, this brief but resoundingly effective piece is perfect for opening a choral concert. The piece begins with ea...

For SATB (with divisions) unaccompanied.

Well suited to beginners, this is a piece of elegant simplicity that remains in rhythmic unison throughout, with focus placed on the dynamic range. Its text, written by the composer, emphasizes the co...

For SATB unaccompanied. Commissioned by Chorus America, A Dedication and an Amen is a flexible work designed for use in a variety of contexts. Featuring a secular Dedication and an optional Amen, it c...